"Who Killed It" by Nas...WTF

Art Barr

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the narrator and person who made the record killed it,.......



art barr
 

Cory MBA

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SYNOPSIS

now lets get some things straight since its a story there's characters, setting and plot

the plot is who killed hip-hop?

the setting is 1930s the golden era; the manifestation of jazz, mobsters, bootlegging and organized crime

the characters are nas the detective and his partner joe da butcher

freckle face who is joe da butchers connection to the underworld

and hip-hop who is the girl in the story a.k.a. the gal

now what happens is pretty mike and two face al kill each other and the gal runs off with the money

pretty mike and two face al are B.I.G. & Tupac and its a psuedonym for hip-hop maximizing its commercialism which is why the gal runs off with the money

the murder of two face al is directly referencing tupac dying first

now this all occured at some club where the classic jams go on sung by the gal

that is why nas says damn that was my jam because she will never be singing there again

the setting is further portrayed through the uses of microphone cord as the murder weapon and the fact the body was found in the aisle

now joe da butches represent the average hip-hop listener

his name simply breaks down to joe a.k.a. the average joe schmo and da butcher part is a reference to "chewing the fat" which means just kicking simple convo chillin

now after joe mentions to nas that he realizes he's falling for her nas hits the bar a lil aggitated

he realizes its the same scene at the bar but says f*ck it and drinks are on him

that represent nas going commercial and he admits it but tries to counteract that by saying "but I always felt outta place" which means he sold out but still puts out real hip-hop

the symbolism in the bar scene is that joe the da butcher is nas partner but his southern connects (freckle face and company) are involved wit this crime

joe is none the wiser a.k.a. the average listener supports southern music regardless of all this south trash talk (jeezy,ludacris,lil jon,rick ross)

nas gets a lil ticked off and heads outside and realizes the gal has been trailin him the whole time

that's basically saying that even though he didn't kno it hip-hop HAS been followin him for a while

next thing she steps out the shadow and he says "all this time she had me in her scope"

in her scope = interscope
nas starts the story saying "death by strangulation" but death = def

basically he was saying that def jam started the "killing" (when it commercialized hip-hop) and now interscope
runs it

at this point he is saying the crackers took control of the art hence the reference to conspiracy theorys behind this whodunit

"that's why eric b is not president" pretty much sums it up

so def jam chokeholded the game and then universal picked it up

at this point nas has some evidence so he starts interrogating the broad

"I know you have soul quit tryin to hide it" is obviously saying that hip-hop has soul but its obscured by the commercialism

nas uses the interrogation wisely by bringing up cypress hill and snoop dogg referencing the classics just flippin the phrases

if you can't figure it out then your pretty f*ckin stupid

she (hip-hop) supposedly killed a man in cypress which is a project in brooklyn

cypress hill how I could just kill a man

and one eyed charlie (krs-one) who only hangs with the criminal minded (bdp) said they did it doggystyle (snoop dogg) but obviously referencing sex

at this point she puts everything in perspective for nas IN ORDER because nas was out of chronological order by mentioning 92 then 91 then 88

so she begins by asking him to "walk this way" (run dmc) and she will tell him a childrens story (slick rick)

this is starting out raw hip-hop in the 80s

"got her a few 40s" is now referencing the west coast era domination as well hoppin in the "ride"

at this point hip-hop started losing "it" because it was being bombarded by commercial gangsterism and losing its origins

the getting tipsy part refers to hip-hop totally losing control and becoming almost completely pop (the bad boy era)

"as we got to her suave house chopped and screwed her mouth" is now moving on to the south moving on in at the close of the shiny suit era and is cleverly flipped to nas getting oral sex by hip-hop he finally gave in

after he f*cks her she spills the beans and tells him that bill gates sponsored her to destroy hip-hop through means of downloading and extreme piracy

remember hip-hops father was a bootlegger and now her sponsor is one of the largest helpers in the creation of bootlegging

at this point she just breaks down and admits she is IMMORTAL because no regular human could be alive in BOTH slave times AND the 1930s

she says she came from that era and had many lovers since but her one true love was kool herc (pioneer of hip-hop, some say sole creator)

but then she obviously f*cked him over and fell to the pressure of the root of all evil, money (the 200 grand) (by the way 200 grnd in 1930 is worth MILLIONS)

at this point the gig is up and she begins to fade away magically but lets nas know its his inner spirit that really keeps hip-hop alive

she really didn't need the money in the end.




forgot what thread it was from :manny:

Thanks...I never took the time to figure this out. Creative song.
 

RajWatts

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one of his most creative joints. but that beat was horrible, couldve done alot better with some vintage 1920s shyt
 

Juliano Soprano

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I liked this song from the gate.

I can't front though, I thought Will-I-Am was the person talkin' and Nas just gave him the lyrics for like 5-6 months :laugh:

When I found out it was Nas :whoo:
 

Prez

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Only the Stanliest of Stans defend this record. Creativity is one thing but this record is unlistenable IMO. I wouldn't listen to chief Wiggam rap so I don't want to hear this shyt from Nas.
 
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I see dudes hating on this track and "Where Are They Now", and then go on to big up "Not Going Back" and "Let There Be Light".

I don't even like this album at all but some of you have terrible musical taste.
 
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