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The Story Of The Afro-Cuban Heritage In Lagos
16 May 2021
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African captives being transferred to ships along the Slave Coast for the transatlantic slave trade, c. 1880. | Image: Photos.com/Getty Images

Our ancestors were captured from their motherland in their hundreds; plugged off from their ancestral roots, and shipped thousands of miles away in shackles and chains to foreign lands, where they were kept in harsh conditions and made to slave in the most inhumane conditions across the Europe and Caribbean continents. It would later become known as the Trans-Atlantic slave trade – a forced migration of Africans into strange lands.



Their arrival at these several plantations and slave plants brought a new false identity to them; they were given new names and identity by their slave masters who couldn’t pronounce their names.

Despite that, these ancestors from Oyo, Lagos, Abeokuta and the hinterlands, created informal slave networks and communications which were used to maintain links to their motherland.

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Candido da Rocha’s house, Popo Aguda, Lagos. He was born to a Yorùbá father in Brazil. Photo Aderemi Adegbite

After the abolition of the slave trade on the 25th of March 1807, the mass exodus of freed slaves started by migrating back home in their hundreds. In 1851, over 72 Africans put together the sum of $4,000, chartered a ship and headed down to Badagry, a notorious slave port on the shoreline of Lagos.

Slave trade was officially abolished in Cuba and Brazil in 1886 and 1888 respectively, and these returnees, mostly of Yoruba descent, found their ways to different parts of the hinterland, Ilesha, Abeokuta, Oyo, while others settled in Lagos.

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The Church Missionary Society Bookshop in Lagos, an important historic place for Yorùbá language studies. Photo Aderemi Adegbite

Settlers chose the Lagos Island side of Lagos called Isale Eko. They formed different communities based on where they stayed as slaves. The returnees from Sierra Leone were known as Akus or Saros, while the Brazilians and Cubans were known as Agudas. The large influxes of these returnees brought a huge development in terms of heritage, culture, food, lifestyle and architecture and revolutionise the entire span of Isale Eko. This was in the year 1850.

The Afro-Cuban communities were returnees from Cuba; they came back to Lagos with skills, a new sense of style in fashion and lifestyle, exotic culinary style and also skilled hands in ways that were more advanced than those of the natives of Isale Eko. One of the important reintegration of the Afro-Cuban effect into Lagos during the 1860s was their introduction of Christianity alongside Orisha worship from that of Cuba.

One of the founding fathers of Ifa in Cuba, Adeshina Remigio Herrera (Obara Meji), born somewhere in Osun or Abeokuta (there are disputed records on his birthplace). He was initiated as a Babalawo at a young age and was later enslaved and taken as a slave to Cuba in the 1830s. But as an enlightened and gifted man, he bought his freedom and became a property owner in the Havana suburb of Regla. He would also set up the famous Cabildo of the Virgin of Regla, a religious institution in 1860 that evolved to become a principal centre of Ifa and Orisha worship. He made several trips after the abolition of the slave trade to Lagos and back to Cuba to continue the promotion of Ifa and Orisha worship. He died on the 27th of January 1905 in Havana Cuba.

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The Cuban Lodge in Lagos, built by Afro-Cuban Hilario Campos, 2016. Photo Aderemi Adegbite

Then there was Hilario Campos, a Cuban returnee, the founder of the Cuban Lodge and the famous Campos Square on Lagos Island. Roman Hilario Campos was born in Matanzas, Cuba in 1873 and died in Lagos on December 14, 1941. Hilario Campos’s father was born in Lagos and was taken to Cuba as a slave.

The house on 40 Odunlami Street on Lagos House known as the Cuban Lodge is a true testimony of the ingenuity of the Afro-Cuban influence on the architecture that sprung forth in the 1900s. The house was designed and constructed along the lines of Cuban and Brazilian architecture in the British colonial period. The house was commissioned in 1931 by Hilario Campos, designed by a British architect, and was built in 1932.

Just like the Afro-Brazilians, the Afro-Cubans returnees created a lot of impact that lifted the cultural, architectural and socio-cultural identity of Lagos Island and transformed it into the setting we see today. Even though the traces are gradually fading off and a lot of its history left undocumented, you can still move around certain areas of Lagos Island today and feel the spirit of the past calling out for preservation and protecting from falling into oblivious extinction.

History must be protected at all costs. The legacy of the Afro-Cuban Heritage in Lagos is just another one of the many stories untold.
 

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YORUBA Ko'Ya promotes ties with Yoruba in other countries


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Oct 14, 2021
A group, The Yoruba Ko’Ya Leadership and Training Foundation (YKLTF), has partnered Marcus Garvey Institute for human management towards fostering Yoruba unity across the globe.

Director of media and publicity of the foundation, Ambassador. Demola Sanyaolu, disclosed this in a statement made available to journalists in Ibadan on Tuesday.


Amb Sanyaolu said the colloquium is to promote cross cultural ties among Yoruba people worldwide, leading to youth exchange programmes among the nations.

He pointed out that the colloquium is also aimed at the exploration of economic and trade ties .


Amb Sanyaolu stated that wide range of topics on Yoruba Traditions, Arts and Culture amongst other related issues of interest to Yorubas in the homeland would be discussed during the colloquium holding on October 23, this year.

“This effort will unite the Yorubas worldwide in learning, growing and bonding, using Yoruba’s past as well as present for future growth,” he said.

The colloquium according to Amb Sanyaolu would have participants drawn from Brazil, Jamaica, Cuba, US, Canada and other countries where Yoruba people resides with its participants to include Prof Alison Moses from Brazil, Dr Julius Garvey from Jamaica and Prof. Wande Abimbola, (a US-based Nigerian), US-based Professor Toyin Falola, Babalawo Ivanir Dos Santos from Cuba and Dr Mayowa Ogedengbe from US
 

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1914–1983
Havana Club® got Skepta out here selling Ogun Rum:



Havana Club and Skepta announced an exclusive collaboration inspired by the brand’s Cuban roots and Skepta’s Nigerian heritage. At the heart of the collaboration is a new limited edition Skepta Havana Club 7 bottle, which has been designed to support their shared global community.

Havana Club, Skepta and friends all connect over shared values and attitudes. At a time of global uncertainty and unrest this stands firm now more than ever, with communities – both local and global – coming together to share collective ideas, visions, and discoveries from afar.

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Havana Club, Skepta and friends all connect over shared values and attitudes. At a time of global uncertainty and unrest this stands firm now more than ever, with communities – both local and global – coming together to share collective ideas, visions, and discoveries from afar.

Skepta drew upon this sense of discovery and community when he visited Cuba in 2019. In Havana, the international grime icon and Nigerian Yoruba chief found deep links between Yoruba culture and Afro-Cuban spirit. Yoruba heritage is infused throughout Cuban traditions with its links to the West African people and is experienced in the joyful energy and DIY spirit of Cuba which brings people together. It is a creative essence that Skepta also sees reflected in his own London community.

Together, this brought Skepta to the Cuban concept of ACHÉ; interpreted as the creative, universal spirit that binds all of us. It is aché which Skepta has channeled into his Havana Club 7 collaboration, with a bottle design symbolizing his vision of global community, brought to life through creativity, love, and cultural connections.

The new design features traditional Nigerian cultural symbols, including Ewe Oshun leaves used in Yoruba rituals, cowrie shells found in sacred statues of Elegua, as well as Guiro textiles and Conga drums. The bottle is dedicated to a global community of creative thinkers and doers – the people we raise toasts to the world over.

Skepta Havana Club 7 rum bottle limited edition




Havana Club and Skepta are back again with another creative collaboration that sees the UK artist design his second limited edition Havana Club 7 bottle. A celebration of his Nigerian roots, this Havana Club 7 bottle is all about the creative and cultural connections between Yoruba culture and Afro-Cuban spirit.

This second edition bottle is inspired by Skepta’s chieftaincy and the journeys that pave our path to greatness. As the collaboration makes clear, “This Havana Club 7 bottle honours my roots. It traces the migration of Yoruba culture from Africa to Cuba and back again. Inspired by the region of my chieftainship in Ogun State Nigeria, it celebrates inner strength and the journeys that make us great.” – Skepta

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Alongside the release of the limited edition Havana Club 7 bottle, Skepta and Havana Club have also curated a campaign film of Skepta on his journey from London back to Nigeria to explore the story of his Yoruba roots continuing on from the journey of discovery with Havana Club in Havana, Cuba last year. Travelling from Ogun State to Lagos and the renowned New Africa Shrine, this campaign video specifically celebrates Yoruba culture, both traditional and contemporary, a culture that Skepta, Cuba and Havana Club all share.

HAVANA CLUB X SKEPTA 2.0




Havana Club and international musical icon Skepta are proud to announce the next chapter of their global collaboration, a limited-edition rum, Rum of Skepta. Following the creation of two unique Havana Club 7 Rum bottles in summer 2020 and 2021, which drew inspiration from the entwined roots of the brand’s Cuban birthplace and Skepta’s own Nigerian heritage, Rum of Skepta is the pinnacle of a journey which has paid ode to creative impulses, inner strength and the power of community.

Created by Skepta himself alongside Maestro Ronero Asbel Morales in Cuba, during a visit in early 2020, the transporting blend reflects this mood, with a round, balanced flavour profile, subtle on the palate. It is the result of an exceptional meeting of those at the top of their respective fields, and continues a proud tradition of rum creation in the country, something richly embedded in Cuban culture.

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The collaboration between Havana Club and Skepta began in 2019, when Skepta first visited Havana, Cuba. Struck by deep and entwined links between Cuban traditions and those of his own West African Yoruba heritage through paths of migration, the first two chapters of the collaboration – a pair of redesigned Havana Club 7 Rum bottles – captured this cultural infusion in their labels, which featured traditional Nigerian symbols. The maturation of the collaboration – and an accumulation of the previous chapters of the project – Rum of Skepta was made to encapsulate a feeling of refined elegance, a symbolic emblem of growth, achievement and luxury.

HAVANA CLUB X RUM OF SKEPTA
 
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