Ruck and Rock told them that they didn't need them to proceed everything.
Buck said the plan was always to have Dee and Walt overseeing the albums, like they did on Enta Da Stage and Dah Shinin'. He said that was the tradition. But Health Skeletal didn't want to keep with the tradition, so after that, Dee and Walt took a step back and we see what happened. They said after Dah Shinin', there was a lot of internal issues, and everything spilled over when they did the compilation. Buck said before that the crew wasn't as tight anymore.
Duck Down Records was the East Coast version of Suave House…
They had enough for everyone and was doing their own thing
Priority didn’t really push em enough considering that they was eating good off of Master P.
BCC could have joined forces with Wu at least
Didnt' they sign with priority in 99?
At that point, Grimy/NYC Boom Bap was very much dead.
Individual members of Beatminerz still produced on Nocturnal tho...DJ Evil Dee, Baby Paul, Mr. Walt...Ruck and Rock told them that they didn't need them to proceed everything.
Buck said the plan was always to have Dee and Walt overseeing the albums, like they did on Enta Da Stage and Dah Shinin'. He said that was the tradition. But Health Skeletal didn't want to keep with the tradition, so after that, Dee and Walt took a step back and we see what happened. They said after Dah Shinin', there was a lot of internal issues, and everything spilled over when they did the compilation. Buck said before that the crew wasn't as tight anymore.
True.. by 1997, the entire East Coast sound shifted to a more epic, less gritty/less grimy/less boom bap sound. LAD is as epic of a soundscape as ever, and Wu Tang Forever's sound was much more epic than their work 96 and prior. I'm imagining BCC didn't want to just be underground so they changed their sound up too.it wasnt even beatminerz imo. cause to your point heltah skeltah proved they didnt need them on multiple albums.
what i remember (and someone please correct me if i'm off) is after the OGC album, they had a window where they got a little experimental with the production. and it just wasn't stacking up against all the other monster shyt that dropped that year. big's second album. wu-tang forever. missy's first joint. harlem world. royal flush. one day it will all make sense. epmd's comeback. soul assassin's. busta dropped "put your hands where my eyes can see" and took over the club. shyt, that was the year will smith came back and was shaking shyt. there was a LOT of comp.
the other piece was pac's death. that look could've took them to a whole other level, but they didn't get a chance to benefit from the alley oop.
they eventually got back to what works. but by then no one was putting them on wu's level.
Individual members of Beatminerz still produced on Nocturnal tho...DJ Evil Dee, Baby Paul, Mr. Walt...
No. And I'm the biggest Boot Camp stan on the planet. But they didn't have the crossover appeal of the Wu. Significantly smaller female fan base. Had Priority Records made them a Priority, I don't doubt for a second they would have been much bigger and had a few plaques under their belt. But Wu is the biggest and greatest hip-hop act of all time. Nobody was reaching their status.
Basically, they didn't have a Method Man, who the ladies liked.
They didn't have a Raekwon, Ghostface or ODB who were characters.
Or a RZA who had a vision.
I hate to say it but you could cut the deck with everyone else in Wu tang. Regardless of how much I loved INS and GZA, the truth is that Meth, RZA, Ghost, Rae and ODB carried the Wu.
Bootcamp Clik was just some shyt for nukkas but hoes wasn't on that shyt.
They just released a dope album last year. I ordered that version my first day. It’s now only Walt and Dee though.An interesting side question, is what happened to the beatminers? You telling me that they could not have had a run similar to buckwild and other of the great producers from the '90s?
I think they did one remix for a Lord Digga, and not too much after that. Shouldn't Westside Gunn give them a call?
/threadNo. And I'm the biggest Boot Camp stan on the planet. But they didn't have the crossover appeal of the Wu. Significantly smaller female fan base. Had Priority Records made them a Priority, I don't doubt for a second they would have been much bigger and had a few plaques under their belt. But Wu is the biggest and greatest hip-hop act of all time. Nobody was reaching their status.
I never liked the "I bomb atomically" sh*t, lol. Thought it was corny.
The RZA remix was the video versionWu needed Puffy to remix All I need
Duck Down was an indie w/ a distro deal through Priority. Priority wouldn't really have any creative control.BCC's 3 biggest momentum killers:
1. Priority Records mishandling their careers and direction of their sound.