Do Aframs have their own Sandwich???
My dad's people always makes it a point to bring up these links made in Mississippi called MaBells.
They bring them up in bulk because every time they bbq them, folks always rave about them and want to leave with more.
Best links I ever had.
panopticon
Superstar
Yeah that's what I love about em...on top of the flavor profile which isThem Mediterranean restaurants really the GOAT.
Great food and healthy as fukk for the most part.
Gyros, Greek or Afghan salad, kababs, hummus, the different soups, and that damn baklava.... Jesus!
...you got all kinda choices as far as whether you're tryna stay healthy or don't mind descending into a 3 hour food coma 
panopticon
Superstar
Can't forget Bombay Wraps wrapped in buttery Naan bread.
Indian food is GOAT.
That naan lookin delicious
I see some mint chutney in the wrap on the left...one of the GOAT condiments
yo is that what i think it is?Can't forget Bombay Wraps wrapped in buttery Naan bread.
Indian food is GOAT.
a fukkin naan wrapped full of indian food
where this been
That's how you know it's a real spot
Facts
My family did the same when I lived in Connecticut. We got ours from Georgia.
get these nets
Veteran
@ab.aspectus .....I thought about this thread in another discussion here. Bolsters your point about preserving history.
Dillard Today Magazine
A Rich Culture
Pierre Thiam "The King of New African Cuisine" during a cooking demo.
Text and photos by L. Kasimu Harris
Summer 2017, Dillard’s Ray Charles Program Continues Growth with Local and International Talent
For a moment, she is still. Her office is filled with books, papers and proposals; there’s a large sheet of white paper with ideas, long-term plans, and small to-dos: “get cups and plates.” Zella Palmer, chair of the Dillard University Ray Charles Program in African-American Material Culture, produces programming with the speed of a short order cook and the elegance of a white tablecloth establishment.
“A lot of prayer and looking [at] how to engage our students,” Palmer said about the output of events from her office. Last fall, her program was involved in or produced the following: “From the Bayou to the Low Country: Creole and Gullah Cooking Experience”; “From Mouss'or to Tignon: The Evolution of the Head-Tie,” an exhibition by British-Nigerian photographer and DU Ray Charles Program Artist-in-Residence Juliana Kasumu; the Nellie Murray Feast, a Late 19th Century Creole Feast to raise funds for the Leah Chase: Queen of Creole Cuisine documentary; and the short documentary: The Story of New Orleans Creole Cooking.
Dr. Howard Conyers, a rocket scientist and pitmaster, and Tunde Wey, chef and writer, work on a lamb during the From the Low Country to the Bayou event.
The Ray Charles Program in African-American Material Culture is the first of its kind at any HBCU or any other American university that centers its mission on the study of African-American material culture. Its mission is to research, document, disseminate, and preserve every aspect of African-American material culture in New Orleans and the South, from art to foodways.
The work of the program was envisioned by the late, legendary musician Ray Charles. Palmer said Charles understood the importance of institutionalizing a program to study the African-American experience and the diverse cultures that it produced. “You can not pass down traditions and oral stories to the next generation unless you are actually immersed in the culture and performing lost traditions,” Palmer said.
Vance Vaucresson during a sausage making demo and talking New Orleans history.
She explained how the program is built around community-engaged, hands-on, project-based learning. “Having the program at Dillard University in New Orleans, Louisiana, the culinary capital of the United States and in one of the most cultural cities in the U.S., gives the work that we do a central understanding of how rich and nuanced African American culture truly is.”
The Ray Charles Program is partnering with the Whitney Plantation to tell untold narratives, working with a collective of people who are passionate about telling the story of Black New Orleans. Participating in the program has also allowed students to garner professional experiences by working with some of the top chefs, historians, and food writers in the country.
Candace "Chipo" Satterfield, '18, Bryant Terry, chef and author, and Zella Palmer after a lecture.
“It’s amazing to see how much we lost, but how much we’ve also maintained,” Palmer declared about African-Americans and their culinary traditions. They are trying to rebuild every skill and trade that African Americans had for those hundreds of years, since the institution of slavery began, she asserted.
“Our food was never quick and easy;it was meant to be shared and loved, and it’s always had a story behind it,” Palmer said.
Among Palmer’s flash fried thoughts and slow cooking ideas is a staple on the Center’s menu of programming, the Dr. Rudy Joseph Lombard Lecture Series. Lombard, a New Orleans native and civil rights activist, was also the author of Creole Feast: 15 Master Chefs of New Orleans Reveal Their Secrets, a book of culinary stories that was an impetus for Palmer to establish the speaking series. To date, important figures in the culinary world such as Dr. Howard Conyers, Bryant Terry, Michael Twitty, Edie Mukiibi, Vance Vaucresson, and Pierre Thiam have spoken, recounted the history, and given cooking demonstrations at Dillard. Palmer said: “We are trying to preserve what’s left.”
Dillard Today Magazine
A Rich Culture
Pierre Thiam "The King of New African Cuisine" during a cooking demo.
Text and photos by L. Kasimu Harris
Summer 2017, Dillard’s Ray Charles Program Continues Growth with Local and International Talent
For a moment, she is still. Her office is filled with books, papers and proposals; there’s a large sheet of white paper with ideas, long-term plans, and small to-dos: “get cups and plates.” Zella Palmer, chair of the Dillard University Ray Charles Program in African-American Material Culture, produces programming with the speed of a short order cook and the elegance of a white tablecloth establishment.
“A lot of prayer and looking [at] how to engage our students,” Palmer said about the output of events from her office. Last fall, her program was involved in or produced the following: “From the Bayou to the Low Country: Creole and Gullah Cooking Experience”; “From Mouss'or to Tignon: The Evolution of the Head-Tie,” an exhibition by British-Nigerian photographer and DU Ray Charles Program Artist-in-Residence Juliana Kasumu; the Nellie Murray Feast, a Late 19th Century Creole Feast to raise funds for the Leah Chase: Queen of Creole Cuisine documentary; and the short documentary: The Story of New Orleans Creole Cooking.
Dr. Howard Conyers, a rocket scientist and pitmaster, and Tunde Wey, chef and writer, work on a lamb during the From the Low Country to the Bayou event.
The Ray Charles Program in African-American Material Culture is the first of its kind at any HBCU or any other American university that centers its mission on the study of African-American material culture. Its mission is to research, document, disseminate, and preserve every aspect of African-American material culture in New Orleans and the South, from art to foodways.
The work of the program was envisioned by the late, legendary musician Ray Charles. Palmer said Charles understood the importance of institutionalizing a program to study the African-American experience and the diverse cultures that it produced. “You can not pass down traditions and oral stories to the next generation unless you are actually immersed in the culture and performing lost traditions,” Palmer said.
Vance Vaucresson during a sausage making demo and talking New Orleans history.
She explained how the program is built around community-engaged, hands-on, project-based learning. “Having the program at Dillard University in New Orleans, Louisiana, the culinary capital of the United States and in one of the most cultural cities in the U.S., gives the work that we do a central understanding of how rich and nuanced African American culture truly is.”
The Ray Charles Program is partnering with the Whitney Plantation to tell untold narratives, working with a collective of people who are passionate about telling the story of Black New Orleans. Participating in the program has also allowed students to garner professional experiences by working with some of the top chefs, historians, and food writers in the country.
Candace "Chipo" Satterfield, '18, Bryant Terry, chef and author, and Zella Palmer after a lecture.
“It’s amazing to see how much we lost, but how much we’ve also maintained,” Palmer declared about African-Americans and their culinary traditions. They are trying to rebuild every skill and trade that African Americans had for those hundreds of years, since the institution of slavery began, she asserted.
“Our food was never quick and easy;it was meant to be shared and loved, and it’s always had a story behind it,” Palmer said.
Among Palmer’s flash fried thoughts and slow cooking ideas is a staple on the Center’s menu of programming, the Dr. Rudy Joseph Lombard Lecture Series. Lombard, a New Orleans native and civil rights activist, was also the author of Creole Feast: 15 Master Chefs of New Orleans Reveal Their Secrets, a book of culinary stories that was an impetus for Palmer to establish the speaking series. To date, important figures in the culinary world such as Dr. Howard Conyers, Bryant Terry, Michael Twitty, Edie Mukiibi, Vance Vaucresson, and Pierre Thiam have spoken, recounted the history, and given cooking demonstrations at Dillard. Palmer said: “We are trying to preserve what’s left.”
@ab.aspectus .....I thought about this thread in another discussion here. Bolsters your point about preserving history.
Dillard Today Magazine
A Rich Culture
Pierre Thiam "The King of New African Cuisine" during a cooking demo.
Text and photos by L. Kasimu Harris
Summer 2017, Dillard’s Ray Charles Program Continues Growth with Local and International Talent
For a moment, she is still. Her office is filled with books, papers and proposals; there’s a large sheet of white paper with ideas, long-term plans, and small to-dos: “get cups and plates.” Zella Palmer, chair of the Dillard University Ray Charles Program in African-American Material Culture, produces programming with the speed of a short order cook and the elegance of a white tablecloth establishment.
“A lot of prayer and looking [at] how to engage our students,” Palmer said about the output of events from her office. Last fall, her program was involved in or produced the following: “From the Bayou to the Low Country: Creole and Gullah Cooking Experience”; “From Mouss'or to Tignon: The Evolution of the Head-Tie,” an exhibition by British-Nigerian photographer and DU Ray Charles Program Artist-in-Residence Juliana Kasumu; the Nellie Murray Feast, a Late 19th Century Creole Feast to raise funds for the Leah Chase: Queen of Creole Cuisine documentary; and the short documentary: The Story of New Orleans Creole Cooking.
Dr. Howard Conyers, a rocket scientist and pitmaster, and Tunde Wey, chef and writer, work on a lamb during the From the Low Country to the Bayou event.
The Ray Charles Program in African-American Material Culture is the first of its kind at any HBCU or any other American university that centers its mission on the study of African-American material culture. Its mission is to research, document, disseminate, and preserve every aspect of African-American material culture in New Orleans and the South, from art to foodways.
The work of the program was envisioned by the late, legendary musician Ray Charles. Palmer said Charles understood the importance of institutionalizing a program to study the African-American experience and the diverse cultures that it produced. “You can not pass down traditions and oral stories to the next generation unless you are actually immersed in the culture and performing lost traditions,” Palmer said.
Vance Vaucresson during a sausage making demo and talking New Orleans history.
She explained how the program is built around community-engaged, hands-on, project-based learning. “Having the program at Dillard University in New Orleans, Louisiana, the culinary capital of the United States and in one of the most cultural cities in the U.S., gives the work that we do a central understanding of how rich and nuanced African American culture truly is.”
The Ray Charles Program is partnering with the Whitney Plantation to tell untold narratives, working with a collective of people who are passionate about telling the story of Black New Orleans. Participating in the program has also allowed students to garner professional experiences by working with some of the top chefs, historians, and food writers in the country.
Candace "Chipo" Satterfield, '18, Bryant Terry, chef and author, and Zella Palmer after a lecture.
“It’s amazing to see how much we lost, but how much we’ve also maintained,” Palmer declared about African-Americans and their culinary traditions. They are trying to rebuild every skill and trade that African Americans had for those hundreds of years, since the institution of slavery began, she asserted.
“Our food was never quick and easy;it was meant to be shared and loved, and it’s always had a story behind it,” Palmer said.
Among Palmer’s flash fried thoughts and slow cooking ideas is a staple on the Center’s menu of programming, the Dr. Rudy Joseph Lombard Lecture Series. Lombard, a New Orleans native and civil rights activist, was also the author of Creole Feast: 15 Master Chefs of New Orleans Reveal Their Secrets, a book of culinary stories that was an impetus for Palmer to establish the speaking series. To date, important figures in the culinary world such as Dr. Howard Conyers, Bryant Terry, Michael Twitty, Edie Mukiibi, Vance Vaucresson, and Pierre Thiam have spoken, recounted the history, and given cooking demonstrations at Dillard. Palmer said: “We are trying to preserve what’s left.”
I wonder if "material culture" includes music such as hip hop. This also relates to our discussion about the curator choice for the NMAAHC. In any event, we need more programs of study like this that is inclusive of other regions.
IsThatBrothaMouzone?
Veteran
Hot link sandwich, hot chicken sandwich, po boy etc
get these nets
Veteran
Perhaps Jazz and Zydeco, because of the location of Dillard University.
Though to me , the true center for archiving AA music would be either the CBMR in Chicago.
or the AAAMC in Indiana
I remember the convo about the curator choice, and I still feel that it was a political move. Person working at either of the spaces just mentioned would have been an ideal person to groom or train to be be the eventual curator for NMAAHC.
Maaan I could two right now :cotdammit: