Dream Hampton pretty much saying "I ain't admitting to SH*t!!"

BuddahMAC

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read her tweets this week and then listen to Patrice O'Neal drop science from any Black Philip show and you will know truth first hand:



listen and then re-read, unchecked female logic is coloring this whole Nas-Ghostwriting shyt and should be discarded if she cant address it
 
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NvrCMyNut

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Sorry to say, but yeah….that’s a classic tactic used by bytches with big mouths….when it doubt, blame it on sexism.

AGAIN…why did she even bring this up in the first place? Because it was the ONLY answer she could muster to the question about why Jay doesn’t make the same type of material. She could have just left it at “that’s not his lane”, but nooooooooooo, she had to try to disparage Nas in the process.

ANYBODY who doesn’t think she had an agenda with her original answer, you’re fukking stupid.

''I think Jay writes what he believes.'' Sounds alot like “that’s not his lane” to me.

''but nooooooooooo'' you really sound like a butthurt highschool girl fam:scusthov:
 

Real N Quotes

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That's the thing everyone's riding on. It's dream, she must be right, she's been around. But she's not displaying the actions of someone with integrity to me. She's going back and forth on what she thinks and saying insulting sh1t like Nas "passed the pen" and now lying about just blaze threatening her. 90% of her comments about this haven't been about the ghostwriting but about her personal responses to people attacking her or just telling us to get over it.. or to talk about Chavis Carter :huh:

Why won't FWMJ tell us what he heard on the phone call? Why won't Dream tell us what she knows? These guys are just being drama magnets

I don't understand why she's so shook. She responded to somebody on twitter. Twitter be fukking up alot of people's lives. If you can't stand the heat get out of the kitchen.
 

Man On Fire

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I think this chick was Biggie's videographer too

 
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BuddahMAC

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I don't understand why she's so shook. She responded to somebody on twitter. Twitter be fukking up alot of people's lives. If you can't stand the heat get out of the kitchen.

she's shook because she said she heard 6 reference tracks she never fukking heard...shyt's as blatant as a lie gets
 

delnegro

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Respectable journalists don't fukk their subjects like this chick.. I guess that's a female empowering herself tho...
 

Rapmastermind

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NaS don't need a "Ghostwriter". She got salty cause the fan was asking about Jay's lack of subject matter. Which is true, I'm a Jay fan till the death but even I'm tired of all the braggin. Ok nikka, we get it, your rich, now rap about something else. Jay recently bragged on "3 Kings" how much his daughters socks are worth. I mean it's getting ridiculous. So instead of her answering the question she tries to throw dirt on NaS when NaS is out promoting his successful 6th #1 LP getting great reviews. Dream came off as a hater and I'm glad Hip Hop has turned on her. All she had to do was answer the question but again she couldn't cause everyone knows Jay doesn't spend enough time on social issues.

Any real NaS fan like myself knows he's made over 200-300 songs in his catalog and several of them have consious/political messages. I'm sure Stic helped out with concepts, productions and hooks. Writing whole bars? NO, that's B.S. and she knows. Saying "I heard some reference tracks" is B.S. also. Anyone can say that. I want to hear audio evidence or I'm calling it Lies. I think Biggie was one of the few rappers that had audio evidence of his ghostwriting for Kim and Cease. Big, Jay and NaS are ghostwriters. NaS even co-wrote for Will Smith. The Bottom line is NaS haters going to jump on this but Dream is obviously bias for Jay to the point that she felt the need to Diss NaS. Her Hip Hop Card is temporarily suspended until she either apologizes or retract her lame hating.

This Is SO WEIRD | The Rap Up

Biggie spits Lil Kim and Lil Cease bars
 
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you know the worst part about this for Nas is that people are so stupid that supporters of her, whether they support because they respect her and her contributions or it's because she's trying to play the 'they're all picking on me because i'm a woman!!!!!!!' card, will probably be angry at Nas for the sh!t storm she is receiving from other rappers and rap fans when Nas himself hasn't said anything bad about her at all (that i've heard).
 

Prolific_1011

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most likely posted but for those that haven't read it.

http://editorialcartoonists.com/cartoons/ZygliA/2012/ZygliA20120817_low.jpg


Dead Prez’ Stic.man Dismisses Ghostwriting for Nas: “That Didn’t Happen”
Keith Murphy Posted August 16, 2012

When news surfaced this week that Nas had reportedly used rebel conscious duo dead prez and fabled lyricist Jay Electronica as ghostwriters for his politically-charged 2008 album Untitled (a.k.a. ******), it was like the world had imploded. How could arguably hip-hop’s most celebrated lyricist be exposed as a mere puppet. Indeed, veteran journalist and Jay-Z scribe dream hampton and Frank William Miller Junior of the Rappers I Know blog co-signed the chatter, with Hampton even claiming to hear actual reference tracks. Since then, both Jay and stic.man of dead prez have vehemently refuted such talk. But there’s more to the story.

In an exclusive interview, VIBE caught up with stic.man to discuss his and partner M1’s role in the making of Untitled. It’s an illuminating interview that not only captures Nas as a fearless artist, but also underlines hip-hop’s at times muddied view of what constitutes as a producer. For stic, the message is clear. “We were the only three in the studio,” he says of dead prez’ experience with recording with Nas. “So it’s kind of like, well, who are all the people that are saying how the record was created? They wasn’t even there.” Read on.—Keith Murphy (@murphdogg29)

VIBE: You dismissed all the talk about dead prez ghostwriting for Nas on your Facebook page. Having produced and contributed to the chorus for “Sly Fox,” what did you make of dream hampton’s comment that you did ghostwriting for Nas?
Stic Man: I don’t know. At the end of the day, I just feel like the people who are saying different things about the process of how that record was created I’m wondering, where were you at? To be totally honest, me and M1 went to Cali at the request of Nas. And we would be in the studio together working on stuff with nobody else there except Nas, who would come in and leave. I think people are making assumptions because of the content of the record. It’s gone from the collaboration that we did with Nas, which involved producing, idea exchanging and writing hooks, which is one thing, to us being ghostwriters.

As a producer can you talk about how you approached your collaboration with Nas?
To me, ghostwriting, as far as I know, is hiring somebody to write words for you to actually say. That didn’t happen. The way we got hired for Nas’ project wasn’t clear up front. M1 was in L.A. before I came to L.A. and he was like, “Nas wants to bring you out here to work on this project.” I remembered thinking we were just going to do a song together. But I later found out we were there to work in general: production, writing and ideas to help develop some of the songs on the album. So of course I’m thinking, “It’s called the ****** album so that means you want dead prez type songs together, right?” But it was revealed to me that Nas wasn’t looking for that. He didn’t want us to rap. He wanted help with beats and concepts. And that surprised me because I’m thinking, “You want beats??? Of all the people to make beats for, you want us to make beats?” I was like, “Wow.”

So this wasn’t the typical guest spot?
No. To me we were there to make whatever contribution we wanted to make. So I was like, “shyt…I’m playing beats, I’m coming up with some song ideas…I’m going to do whatever.” And this is Nas, so I’m going to give my best and give my all. Me and M started making dead prez songs in some of those sessions because there wasn’t a clear direction of what Nas wanted [laughs]. But later on Nas would come in and say, “I know I want to do something that would get at FOX News.” And he would tell us, “Just play me some shyt…what ya’ll got?” We are talking about way beyond “Sly Fox.” There was a moment he even expressed interest in signing dead prez to his company. My impression was we were forming a team. That’s how Nas presented it. But as far as the rumors, people are off-base. They are all based on assumptions because of the content that we are more [associated] with than what Nas does.

Can you talk about a specific instance of how a Nas/dead prez song came together?
Even some of the songs we gave input on, in terms of hooks and phrases, it was Nas’ vision in terms of knowing what he wanted. He’s the one that came up with the concept for FOX News. I would have said, “fukk FOX News…let’s do a song about something else.” [laughs] But this was a Nas project, so that was the box we were put in terms of how he wanted us to input. He wrote his verses. We just brainstormed about different aspects of FOX News (“Sly Fox”). I work 24/7—so as soon as I knew that, I started writing hooks just to present an idea. Because that’s what a producer does.

Do you think the concept of producing in hip-hop equals—make a beat and give it to a rapper to rap over?
Yeah. But when I produce I compare it to producing a film…that was my role on Untitled. That’s what I took away from the tracks that I worked on. But Nas was the director. It was his vision on everything. My job was simple: can you help make this happen whether it was music or concepts. The only thing is they didn’t want [the standard] dead prez/Nas collaboration. They didn’t want to have me and M on the record with Nas. We were there as producers and collaborators.

So there was no period in time when Nas asked you to write a verse for him?
No. Take “We’re Not Alone.” That was a beat and hook that I already had for dead prez’ Information Age album. But because it was Nas we just felt, “Hey, man…let’s just give our best.” He happened to like “We’re Not Alone” and he wrote verses from his own point of view of what that song was about. My view of “We’re Not Alone” was about our connection to the environment and each other. But Nas’ take on the song was different—he was talking about aliens…he took it there. And that’s why I say I was more of a producer than a director because I would have taken that song to a different place.

In the end, what has this whole Nas “ghostwriting” talk taught you?
People don’t understand what [traditional] producing is. I’m kind of still like, “Wow.” I’m trying to understand what’s the big deal and where it’s coming from. It’s weird. I’m like, “Hmmm…what’s going on here?”
 

bouncy

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I don't think it's fair to get mad at her for stating nas had ghostwriters, it just may have not been the songs she is talking about. I remember someone on SOhh was talking about this and named all the rappers who did it. People have to remember this is the music business and the money HAS TO KEEP COMING IN even when you can't rhyme the way you used to. Look at all the rappers who came out in the early years of rap who still rap the same way when times changed. Do you think Nas is immune to this?.

People forget when you smoke and drink all day, don't eat healthy, don't have no responsibilities it makes you lazy and you need help with records that the record company will be happy with. You may be able to do it for a few years but after a while you will need help unless you're a health nut and avid reader to always challenge your mind to help you spit songs. Even nas forgets his rhymes on stage so why don't you think he may need help with songs?

I love Nas' music but I'm aware that he may have not wrote a lot of his songs just based off of listening to his fresh material and the stuff afterwards. He sounds like he is just doing it because he has to. The same for other artist who been in the game for a while. Rap isn't like Other musical genres where you can make a 4-5 minute song with very little words. In rap you are using a shyt load of words and unless you have an extensive vocabulary and knowledge you will hit a wall and will need help.

I know it hurts you fellas but welcome to the world of entertainment where money is big and the dreams of the fans even bigger so you have to keep the ball rolling by any means. Record Companies would love to have an artist who loves reading so they can have an extensive vocabulary and be creative, love living life as a regular person to have something to write about, doesn't get high all day and be lazy, eat healthy and exercise so their brains are efficient, not have a big ego so they can relate to people through connecting with their emotions even if they didn't go through certain things or can only do music once in a while because it saves them money but unfortunately there are very few people in the world like that let alone Artist who want to be stars and have fame.

Don't hate on her and call her names just accept it for what it is and think maybe she is wrong in this situation but learn the lesson that needs to be learned especially if you want to be in the business.
 
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