If you were a new artist, with no money, would you sign this contract?

Starburst

All Star
Joined
Jun 2, 2012
Messages
6,084
Reputation
-301
Daps
10,539
Reppin
NULL
Once I saw Atlantic it became a no. They’re probably the worse major label. Plus mixtapes or collabs don’t count.

2500 a show isn’t bad for an artist with a lil buzz.

if you can pump out two or more a month plus have a day job you’ll be Good


As a side note, and I say this respectfully, ive often wondered how some of the people working there got their jobs.
 

King Poetic

The D.O.G.( Disciple Of God)
Supporter
Joined
Feb 15, 2013
Messages
92,427
Reputation
18,227
Daps
451,607
Reppin
Bottom of the Lake
Stay Indie

hell if I’m doing shows like tech nine throughout the year as a independent I’m good

Do shows and released 4 to 5 mixtapes every year I’m good

12 shows a month at $2500 a pop is $30000 dollars
 

Shadow King

Quiet N***a Loud Choppa
Supporter
Joined
Oct 31, 2012
Messages
39,490
Reputation
2,875
Daps
81,139
Reppin
Hometown of Cherokee at Law
I know the Coli believes artists should be able to sign to deal and keep 100% of everything but that's not how it works. Keeping 80% is decent.

That's being said, I wouldn't sign this because
1) It's Atlantic who has a history of little to no integrity with hip-hop
2) They own 100% of my masters
3) There's no reason to sign for anything longer than 4 albums.
 

Shadow King

Quiet N***a Loud Choppa
Supporter
Joined
Oct 31, 2012
Messages
39,490
Reputation
2,875
Daps
81,139
Reppin
Hometown of Cherokee at Law
The knowledge is important, but moreso also the leverage... if you’re able to able to gain any real momentum independently, at some point you get to where this hypothetical deal ain’t your only option and it’s way easier to turn it down...they from the jump you can walk in there demand more than that $250k (by no means an industry expert, but that just sounds like a laughably low amount for what they’d be giving up) and scoff at that six album term without “take it or leave it” being a hammer in negotiations
250K is low but still reasonable for a new artist today. 20 years ago when rap was a money pool a big artist or new subject of a bidding war was getting advances of $1.5-2M. Artists with less buzz maybe a round 1M. So today with actual sales being almost non-existent and everything coming in on the back end, very very few new artists are getting a mill out the gate.
Especially in this age...you can just be fukking around and record something and put it up on youtube or sumn and somebody of importance may randomly come across it...or a bunch of people will bump into it and like it and it will get to the person of importance that way. It's stupid to give up on a dream like that in this era where it's so easy to get your stuff out there.
This only matters if you're making music in the style people want to hear.
I think in a situation like this you would have to take that deal and gamble. You will have a machine behind you and the OP didn’t even mention the budget. They are literally paying you 250k just to sign. Yea six albums is a lot. And you can always renegotiate if you blow up. You might never have hits to the point where owning your own masters maters anyway
The 250K comes across as a signing bonus because you don't have to pay it back but realistically it's still the advance/budget, at least for recording the album.
 

Marlo Barksdale

Really out chea
Joined
Nov 18, 2016
Messages
3,676
Reputation
1,313
Daps
15,379
Reppin
Tha M
Terrible contract. Taxes and fees gonna eat up that $250k. And think about how long it has taken for any artist you can think of to release 6 albums.

Negotiating out of desperation usually means you get the worse end of the deal.
 

Dave24

Superstar
Joined
Dec 11, 2015
Messages
16,653
Reputation
1,443
Daps
22,519
Yes I do. If anything, now is a good time. Based on album and single sales, consumers are still buying music. If an upcoming artist has a good song, and manages to promote themselves and get a buzz going, why not?

I’m trying to get my foot in the door at a particular company behind the scenes. While I believe it’s difficult now with a lot of people being furlonged, I don’t believe it’s impossible.

Besides... I like to speak things into existence. This in my opinion is very powerful.

@Starburst any advice on how I can get in the music business like you? I am 34 years old and will be 35 in October. I live in Americus, Georgia and work a minimum wage job. I have a two year degree in Business Management and 65,000 in student loan debt.

I took singing lessons several months ago but I realized I didn't really have any talent for it.

Am I too late to the game in making it in the music business in another capacity besides singer? Are you trying to make it on the business side of things or are you trying to make it as a musician?
 

Big Boss

Veteran
Joined
Sep 26, 2012
Messages
168,923
Reputation
11,410
Daps
328,295
Reppin
NULL
I used to be an up and coming rapper, honestly, I'd have signed a deal like this in a heartbeat. nikkas saying no probably dont know how it feels being underground for years and not making any proper noise or money

This music shyt is luck. Almost a 98% chance that you fail at it


Facts
 

Starburst

All Star
Joined
Jun 2, 2012
Messages
6,084
Reputation
-301
Daps
10,539
Reppin
NULL
@Starburst any advice on how I can get in the music business like you? I am 34 years old and will be 35 in October. I live in Americus, Georgia and work a minimum wage job. I have a two year degree in Business Management and 65,000 in student loan debt.

I took singing lessons several months ago but I realized I didn't really have any talent for it.

Am I too late to the game in making it in the music business in another capacity besides singer? Are you trying to make it on the business side of things or are you trying to make it as a musician?


The business side.

From what I’ve seen a lot of people got jobs through word of mouth, or from people they know. It’s tough to get into, but in my opinion not impossible. Nothing is impossible.

I was having this conversation with someone who said I should intern. This is probably going to be my last resort if none of my other efforts pan out. Doing research I noticed that ALOT of major and indie labels want interns...it’s cheap labor, and you are probably competing with 19/20 year olds but it gets your toes in the door.


If you haven’t already, you need to identify what strong skills you can offer. Once you’ve done that, target some of the newer artists. If marketing and PR is your expertise, offer your services as a social media person, or some kind of marketing street team rep for free for a short time, so they can see how you work.

If you want to go into A&R, I found several positions (including some in your state) that wanted to pay me $10/hr which is a sacrifice to get experience on the resume, but that’s not my avenue.

Is Hiphop the only genre of music you are interested in? What about trying to get in through some of the other genres?


Anyone with advice for us, please chime in!
 
Last edited:

ThirdAct

Superstar
Joined
Jun 15, 2017
Messages
7,979
Reputation
1,943
Daps
37,878
It would depend on how popping off I am. I already got a quickly growing fanbase? Probably not - or I'd at least try to renegotiate the deal, tell them I got other offers, etc. If no one knows who I am? I'd sign.
 

Dave24

Superstar
Joined
Dec 11, 2015
Messages
16,653
Reputation
1,443
Daps
22,519
The business side.

From what I’ve seen a lot of people got jobs through word of mouth, or from people they know. It’s tough to get into, but in my opinion not impossible. Nothing is impossible.

I was having this conversation with someone who said I should intern. This is probably going to be my last resort if none of my other efforts pan out. Doing research I noticed that ALOT of major and indie labels want interns...it’s cheap labor, and you are probably competing with 19/20 year olds but it gets your toes in the door.


If you haven’t already, you need to identify what strong skills you can offer. Once you’ve done that, target some of the newer artists. If marketing and PR is your expertise, offer your services as a social media person, or some kind of marketing street team rep for free for a short time, so they can see how you work.

If you want to go into A&R, I found several positions (including some in your state) that wanted to pay me $10/hr which is a sacrifice to get experience on the resume, but that’s not my avenue.

Is Hiphop the only genre of music you are interested in? What about trying to get in through some of the other genres?


Anyone with advice for us, please chime in!


Thanks breh and good luck on your journey!

:salute:
 

num123

Speak like a child
Supporter
Joined
Apr 30, 2012
Messages
5,798
Reputation
1,470
Daps
22,533
Reppin
Bay Area/Chicago
Exactly

it’s easy to say stay indie and I see a lot of people get on artists for signing bad deals. But if you’re still struggling and someone offers you that, it’s hard to turn down. Especially the upfront money. That’s life changing to the average person.
Get a job on the side or a full time one to pay the bills, not sure why that is so hard to do.
 

FreshAIG

Moderator
Staff member
Poster of the Year
Supporter
Joined
May 1, 2012
Messages
67,675
Reputation
14,555
Daps
293,801
Reppin
Californ-i-a by way of BK
Get a job on the side or a full time one to pay the bills, not sure why that is so hard to do.
Depending on what kinda artist you are, it's an image thing. Even if you are struggling, most artists want the image they doing well. It depends on the image you're portraying. If you some shooter/bang bang rapper then nikkas catch you working at Starbucks, it could hurt you.

If you don't have an image you're trying to maintain then yeah, that's different.
 
Top