yeah half ass tales...n truths
j was 17-18 when the message dropped..
in 82
Houston let alone texas already had their local jokers..
oak cliff assassin, d.o.c...rp cola....k rino willie d...jhamie(dude dancin in the clean up man n paul walls swangin in the rain)...hell even a young 3-2n face
dj darryl scott..dj screw..dj chill n dj premier useta spin at the same club allllllllllllll these rappers would show up n rap or battle..willie broke boys off every night until big mello came on the scene
cat a club called the rhinestone wrangler.j mentions it in the vanilla ice part..lil troy was in the mix puttin majority of those cats on wax a jus a single..
and it was like all of em..ended up at texas southern..to holla at lester pace to put their music on ktsu..hell i think ktsu was breakin rap long be4 the box was..
i kno rap-a-lot is nostalgic n this first think of when u mention htown
but troy was puttin alot ya favorite ol school rappers on wax be4 lil j got away from under big js shadow
troy was houstons eazy e...he was in the dope game hard..n puttin that money in the music..
n boys was doin shows just off singles..
j made 2 important moves in his entire career..
first was gettin face...face wasnt signed to short stop as an artist..so he was fair game..that buzz shyt he keeps mentionin..
face had that buzz when j got em..with the scarface single on short stop records..
j signed face n tweeked the beat a little n put the single back out..
2nd thing was allowing rick rubin to get involved on the getoboys album...n puttin it out the his def american label..
that was the key to rap-a-lot making it outside of texas..
them 3.5 mics went a long way