“At a certain point, I got ready to depend on my other artists,” Dash recalls. “I started putting together an army—Kanye, Cam’ron, Beanie, the Diplomats. I figured Jay gave me time to prepare.” But in December 2004, Jay-Z invited Dash to dinner to discuss the offer from Def Jam. They met at Da Silvano. “I said, ‘Go ahead and take the money and the job, but don’t take the name—don’t take Roc-A-Fella with you,’ ” Dash recalls. “I didn’t say please, but I might as well have.”
Jay-Z offered that Dash could keep the Roc-A-Fella name if in return he relinquished possession of the master recordings for Reasonable Doubt. Dash wouldn’t agree to it.
“He said, ‘It’s business,’ ” Dash says. “But we were always supposed to be about more than business, Jay especially.” Dash saw his own role as the executive’s so that Jay-Z could remain an artist at all times. “I did everything I possibly could so that he didn’t have to raise his voice. He just had to whisper something in my ear and I’d take care of it. The people I fought with to make money for him, Lyor Cohen and Kevin Liles”—executives at Def Jam—“he’s made friends with. He hangs out with Puff now. It’s like if your brother leaves you.”
Many of the most successful artists in Roc-A-Fella’s stable (Kanye West, Memphis Bleek, Peedi Crakk) remained with Jay-Z rather than sign with Dash.
made the dynasty die nasty
