Dusty Bake Activate
Fukk your corny debates
No he wasn't. Not musically and artistically, which is how legends are defined.Hammer was ahead of his time.
My favorite rapper strives to make a career of mind-numbingly dumb substanceless dance music with garbage lyrics? No.Everything he was criticized for in the 90s is what your favorite rapper strives to do today.
Having commercials, cross over hits, selling out arenas, elaborate shows, having endorsements, tv shows etc.. hammer laid the blueprint.
Again nothing about his actual music.
This is the sort of laughable comically distorted revision of history Walt was talking about. He was not the first rapper to sell out arenas and have crossover hits. Ever heard of Run DMC and The Beastie Boys?
He didn't lay any blueprint. He contributed zero qualitatively to the music. He was shunned as a sellout and everybody tried their best to distance themself from him and everything he stood for as much as possible after with fame was up.
Going by your logic, New Kids on the Block are legends and laid a blueprint.
And If we are going by 90s standards jcoles last album with his struggle singing is more pop than anything hammer ever put out.
Every single "rapper" is pop these days. 50, jay, kendrick, kanye And the all autotune rap singers... Future out here doing autotune love ballads.. all this would have been criticized in the 90s as sell out shyt.
You're defining them as pop and attempting to draw a direct parallel with Hammer strictly on the basis that they try to appeal to a mass audience and that is stupid...especially when you consider the structural changes in the industry that have taken place between 1990 and now, and how you cannot even land a deal on a major without the expectation for mass commercial appeal. Kanye can be considered an artistic genius by many. Kendrick makes substantive music about life situations that speak to people in a real way just like any good artist be it Stevie Wonder or the Velvet Underground or what have you. Their music is respected and critically acclaimed.
Hammer was garbage. Nobody will ever talk about how Please Hammer, Don't Hurt Em impacted and influenced the art. The legacy of Hammer is that of a footnote, which is a cautionary tale of the potential vulnerability of hip-hop to commercialization and degradation of the art.
You talking about he laid a blueprint and was a legend and was ahead of his time and all this bullshyt just sadly shows how unbridled capitalism, particulary in the genre of hip-hop (I doubt many would say this about Limp Bizkit or N Sync, which are analogs to Hammer) can justify and validate itself insofar as to morph history into a funhouse mirror narrative where the worst examples of the artform are hailed just because they made money and sold records, and completely eshewing all of the integrity and character that made hip-hop what it was.
Are we going to hear that Vanilla Ice, Tone Loc, and Young MC are legends too? Was Do the Bartman a classic record? Was Father MC ahead of his time?
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are straight black men really sitting around watching these shows with nothing but screaming cac females holding up goofy ass signs they spent all day making?
Black folks don't listen to Kendrick.-dumb shyt you read on the coli.
Can a nikka eat a bowl of cereal without a Coli "he's c00ning!" post... this shyt can seriously not be on y'all minds this much in real life.


