That’s not the type of time he’s on. He was describing how he partially arrived at conceptualizing Sinners - and it involved a crazy 24 hours in which he witnessed a cotton field for the first time. Coogler is a proud black american man, but he has pan-african sensibilities. In this very same interview he lists pan-african authors as some of his research points for the movie. In the movie he makes a direct connection to Africa (this is without mentioning how affectionately he speaks of Africa often)
In this interview he - again - makes the direct connection from Africa to Blues in the deep American South:
People are using out of context excerpts and quotes to project onto him
Funny how the acronym crew walked right past this post.
Anyway, nothing wrong with him reaching that conclusion. I did the same around 15-20 years ago. I actually no lie made a promise to myself and my ancestors that I’d be well-versed in understanding our history, beliefs, culture, etc. because I saw firsthand what happened when we overlooked ourselves.
Years ago most of these kind of conversations were limited to what we now know as the ‘conscious community’. Whether folks want to admit it or not, there was A LOT of self-loathing among African Americans in these circles around not feeling ‘“African enough” within our own culture and in-turn immersing in other cultures of the continent and diaspora as a way to counter that sentiment, which IMO was the wrong approach and a misinterpretation of Pan-Africanism altogether (I could go a whole lot deeper into this but I’d really gotta sit and write about it.).
Long story short, immersing myself in the history of our culture here made me a better Pan-African. The deeper you go in them cotton fields, rice fields, tobacco fields, etc. The more you engage The Blues, the juke joints, etc. you literally can’t deny the African within us.
It looks Ryan is reaching the same understanding…from a true Pan-African perspective.
