Roaden Polynice
Superstar
Breh,
As a Black filmmaker I certainly see your point. I'm tired of us having to make Music/film/art that is pigeonholed into some sort of accepted "authentic black experience". It pisses me off that Wes Anderson or Spike Jones can make any artsy/quirky movie about all kinds of unique people/places/situations and find an audience.
Yet the moment a black person tries to make a movie like that they get hit with aby not only white people but also black people as well.
It seems every black movie is a hood movie, romantic comedy, or comedy.
Right. Once you make something as good as Steve Zissou, let alone Rushmore then people might take you serious. Until then keep Wes Anderson da gawd's name out of your mouth

And you're talking about Spike Jonze too

Let me tell you something...go to MoMA or the Gugenheim...where are the black artists? Where are the black artists making acute installations? Where are the black abstract artists? Where are the black industrial artists? Where are the black minimalist artists? Where are the black photo realist artists?
How many black fashion designers are there out there? How many black people are supporting them? Can they be seen at a Fashion week in Paris or NYC or at Milk Studios or in London at a runway show?
How many black artists make music outside of hip-hop and R&B that are actually gaining an audience outside of that spectrum? How many NEW black artists are making EDM, abstract electronica, house, techno, IDM, experimental, etc?
How many black directors are there that are making movies outside of the atypical hood movie/relationship movie/church going crowd movie? That can actually garner the support neccessary to make more and encourage more growth and development within that spectrum...
This is what this thread is about...
I went to NYC for four days and there was an art exhibit several weeks ago and Kara Walker had a line around the block to see her new shyt that took up a whole factory, stop it b.
This thread boils down, like all your threads, into people assuming that their work is the least bit compelling or worthwhile, thinking because you have a soundcloud and people told you that you were creative growing up that you should be entitled to something or that something should be gifted to you.
fukk your entitlement. If you're actually talented with work ethic people will notice, @spinoza as hacky and ridiculous as he is tapped into whatever reserves of talent he had, worked hard, and has had his shyt recognized, albeit, as a minor internet celebrity, but, still, recognized and people took notice.
That's the trouble, you have millions of "creative" types from all walks of life, and they are duly weeded out, it's just that they rarely have anything of note to say or are basically bereft of talent.
And I'm not ignoring the racial aspects that you talked about, I'm just saying, if you were worth anything creatively you would've gone past that type of moaning already.
by not only white people but also black people as well.
....If its real than knock yourself out but lets not expect for me to enjoy it....in my upbringing nikkas clown what seems and looks foreign unless its a bytch
....and techno might be from blacks in Detroit in the 80's but nikkas moved on,you wanna talk about what you wish it was or what it is
?you said yourself its CONSIDERED white boy shyt whether that's right or wrong,we know what it means when that's said