Threads like this are the booth at it's finest.
Keep dropping knowledge brehs.
I'm curious though, I was under the impression that Public Enemy and the Bomb Squad
were also pioneers of that "as many samples as possible" production style that's built
pretty much entirely out of samples from other records, or am I mistaken ?
Legacy[edit]
Endtroducing..... has been frequently ranked in professional lists of the all-time greatest albums.
[68] Various publications, including
Q,
[69] Rolling Stone,
[70] Spin,
[26]Pitchfork Media,
[71] and
Slant Magazine,
[72] have placed the album in their respective lists of best albums of the 1990s.
Time included
Endtroducing..... in their list of the 100 greatest albums of all-time.
[73] "A decade on," wrote
Mojo, "DJ Shadow's affirmatory essay on record collecting as a creative endeavour has lost none of its grandeur."
[74] Stephen Thomas Erlewine of AllMusic said of the album: "...it's innovative, but it builds on a solid historical foundation, giving it a rich, multi-faceted sound. It's not only a major breakthrough for hip-hop and electronica, but for pop music."[32] Will Hermes, writing in Spin, called it "trip-hop's crowning achievement".[75]
The almost entirely sampled nature of
Endtroducing..... was considered groundbreaking at the time of its release, and
Guinness World Records has cited the album as being the first to be created entirely from sampled sources[76] (although this isn't quite true, since the album does in fact contain some spoken-word elements recorded in the studio). The album was a driving force in the development of instrumental hip hop music, inspiring several other disc jockeys and producers to create sample-based works.[77] Tim Stelloh of PopMatters cited it as the "benchmark" for the genre.[78] Guitarist Jonny Greenwood of English alternative rock band Radiohead has cited Endtroducing..... as an influence on his band's critically acclaimed album OK Computer (1997), saying: "We liked how he was cutting up beats quite minutely."[26] Several of the artists sampled on Endtroducing..... – including British progressive rock band Nirvana and American musician David Axelrod – have praised the album.[79][80] DJ Shadow has expressed his surprise at the album's influence and high regard amongst other musicians, saying: "After the record, I'd always bump into these world-class producers who'd say, 'Yeah,
Endtroducing..... – what a great piece of production.' I just did it on one sampler in a tiny little studio."
[26]
Andy Battaglia of The A.V. Club suggested that the influence of Endtroducing..... may have had a negative effect on the album itself, saying that it "has been partially diluted by the symphonic beat-collage culture it helped spawn."[81] The album's acclaim set considerably high standards for future releases by DJ Shadow,
[82] and he has expressed his dissatisfaction with being expected to "repeat
Endtroducing..... over and over again".
[83] Despite this, DJ Shadow has made it clear that he views the album in a positive light and denies any pressure that may have come about as a result of the album's praise: "...people always seem to suggest that there's this pressure, and that
Endtroducing..... is some kind of albatross, and I've just honestly never felt that way. I think that I have a healthy enough respect for the lineage of the music and how rare it is that you can connect with an audience. If that will always be 'the record' then so be it, that's cool."
[84] As of April 26, 2005,
Endtroducing..... has sold upwards of 290,000 copies in the United States alone.
[43]