With the emergence and dominance of West Coast hip hop, Wu Tang brought a refreshing aspect back to street music-gritty beats and raw unadulterated stable of unique emcees.
At the time, nobody but Rza knew what was about to take place.
Besides the group, his business acumen acquired him to negotiate a contract typically unheard of in the record business. (Steve Rifkind is the only label exec to entertain the terms)
I still remember the protect ya neck promo singles I got and never played them until a couple months later, I was at an event an somebody mentioned ever hearing of them I was like "naw", he was like "Yooooooooooooooooooo(literally), you never head of THE WU?!

"
I was djin back then so he matter of factly expected me to be informed (which I should, I had the records, which I'm suppose to break and had to give feedback to the dj pool)
So there was no weirdness about them, more like a curiosity to the infectiousness of what is Wu.
For me personally, it was the production and how Rza crafted his beats and how cohesive the rhymes where.
After watching the interviews, the documentary and American Saga, it comes full circle and makes sense.