Did trap rap destroy hip hop
- Thread starter Cel 510 kid ados forever
- Start date
Trap rap revived hiphop
fukk what a hater thinks
fukk what a hater thinks
In what way did that kill the game?
no it isn't
Sean312
Banned
It ain't even that many main stream trap rappers out /threadfail
Detroit_blue
Pro
I dont hear kendrick cole sean etc in the hood. Nope thats dolph kodak future and the like. Black people ride to the nikkas that flop. Facts
Kill Dat Noize
Banned
if these mainstream artists rapped about god, love and family the same way they rap about sex, money and drugs.
Art Barr
INVADING SOHH CHAMPION
Wait, nikkaz really going at Detroit like that?
Pound for pound, the greatest hip-hop city in America?
Didn't know nikkaz felt like that...
i can say tha d has the best grassroots locale for the culture.
when chicago was popp'n i would have said tha d was a hair behind but after 96.
i can say tha d was a better grassroots locale and probably the best locale for the culture grassroots wise.
michigan as a whole state is probably the best for the culture stateside wise as far as the culture.
bboys in michigan still keep it real, especially real ass bboys from tha d.
art barr
I think (and hope) that hiphop is cyclical in what drives it: beats or lyrics. We are just on an extended beats run and that's why trap music is getting heavy play
Art Barr
INVADING SOHH CHAMPION
i can say all this is a byproduct of the fraudulent puff yousa hater movment.
which ruined the mecca internally landscape wise.
that took an emo term like playa hating,..which used to be hollering at a nikka female in committals.
then, changing the term all the way into excusing a culture thief/sellout.
for being a culture thief/uncle tom c00n mccan behind the premise of the new puff defined term of playa hating.
which was shorted to just hating. where eventually the original meaning was lost.
when, someone culturally was in the wrong and being wrongly made into the badguy in a pop sense.
for explaining how some one was a being a blatant culture thief.
on top of puff damging the culture protection mechanism with yousa hater .
then using the pr steam to desecrate the holy grail culturally. when he made that blasphemous abomination of a record from the message.
after that, coupled with rap being mass marketed nationally as a science to the mainstream via leo burnett.
including the emotional windfall of big being used as a keypoint for sympathy.
puff eventually damaged the protection mechanism of not only just the industry of rap. rap being the last profitable pillar left not damaged by art houses cultural based thievery.
that eventually rap as well as an industry was damaged and moved from being the most profitable model in the music industry.
which is how rap was able to even get art house recognition in the first place.
as art houses all suffered cultural disconnect to rap and hiphop originally.
despite culturally the art houses not knowing how to fully monetize, it using their pop lack of culture ideals.
before the cultural protection mechanism were damaged.
rap only had on genre compromised and that was gangsta rap as a pop model.
the other genres and content points in rap were not tainted or deemed a non-draw at that time like how puff de-evolved the business to where we are now.
that eventually a puff type from all genres including emo.
soon damaged the industry of rap and last pillar of hiphop.
that had monetary value running the same culture thief based script.
couple that with puff's ideal in business being from the fraudulent production deal model from mca as well.
as mca got a pass in the hardcore bboy revolution. from being around in that lull of transistion from 84-86.
where most defjam associated artists or managed groups all clung to old school dj hollywood culture thief ideals.
yet hid it well enough to draw and establish a drawing foot print in booking to record sales.
that allowed them monetary freedom to go unscathed from cultural scrutiny.
which created a bad brew where almost over night the culture was sent spiraling into the same death knell descent breaking endured and never recovered from. till breaking is exactly only really practiced outside of older bboys in the art school medium. where the classically trained medium or venue is a cultural violation.
all because the classically trained art school medium is gay and also a cultural violation to hiphop as well.
where breaking and now cultural rap was given a speedy death knell sentence in quick succession to pop sellout culture thief imposter based industrial ideas. that wrongly take hiphop out of the context of what the pillars and their business are about culturally.
plus left them with no cultural protection mechanism from cultural disconnect to the pop realm which could not be reversed.
once, the culture thief based framework setup by puff was made to draw largely in a pop sense.
art barr
Art Barr
INVADING SOHH CHAMPION
trap or triple six mafia music is actually old school chant and response rap from the darryl and joe run dmc era of production.
that was lost when biting was allowed in the southern region.
from the explosion of tear the club up as a real southern movement in the clubs.
art barr
Art Barr
INVADING SOHH CHAMPION
yes, detroit has its own sound and it was stolen by the ummah.
after the damage to tip's record collection set them back.
where jay dee had to become the lead sonically for tribe, to native tongues.
to the point all neo soul and most of the emo shyt is all detroit sound shyt.
most cultural based music right now is detroit sound.
i was there for that to know the truth.
art barr
Art Barr
INVADING SOHH CHAMPION
it has everything to do with destroying lyrical content, breh./
as the jiggy culture thief are the exact reason we are where we are now, and we won't recover.
the problem is the mecca has no one with any balls to say what needs to be said about the mecca and allowing this to happen.
as everyone except the protectors of the culture in the mecca said sumfin but when you have krs not paying attention and not trying to take criticism in full for empowering puff this is also what you get as well.
coupled with the fact krs had skill conversion issues as did all of rap when the jiggy sonic landscape change was ushered in.
so our protector was limited and also in a state of adjustment that took like a good decade i wanna say to recover skillwise to the sonic landscape change.
the return of jiggy old school dj hollywood meets mca model ol school sellout template based work.
ruined rap and moved it right back into the fad region they said rap would be.
if not for the hardcore bboy revolution.
art barr
ive never been of the belief that one faction of hiphop could take down the entire genre
and when trap is done well, its good to me. i consider it hip hop's metal. its an acquired taste, its raw, unapologetic
and when trap is done well, its good to me. i consider it hip hop's metal. its an acquired taste, its raw, unapologetic