as far as DJing goes- certain things are for certain occasions. In a club/party situation, nobody's tryin' to watch a nikka do tricks and scratches 'nshyt. Maybe a long time back, but not in about 15-20 years, lol... it's more about dropping consistent hot records and building it and not losing the people on the floor. It's not as simple as it sounds.
If it was more of a hip-hop 'head' type event, they're more into that, and it'd prob. work more there.
I do think mixtape DJs lost their way tho'... and a number of them actually did have skills, but it gradually stopped being about that around the mid/late-90s. It became all about what songs were on the tape and having the newest exclusives. So that's when blends stopped being emphasized, scratching and doubling stopped. It eventually got to a point where nikkas could just say their names and give shoutouts while playing songs back to back, cause that's all nikkas cared about. It wasn't about blends or skill level anymore, they just wanted to look at the tracklist and have to have the tape. When I was a kid that was just called 'making a tape'
but you weren't a 'DJ' just cause you could do that. You could do that with a tape deck. But by '98 or so, you could be the hottest DJ out by doing that. Crazy but true. I was the same way, cause I wasn't buying Clue tapes for no cuttin' and crabbin'... I just cared that he had that new Nas shyt or whatever... and I was a DJ myself, so I can see how it happened.
If it was more of a hip-hop 'head' type event, they're more into that, and it'd prob. work more there.
I do think mixtape DJs lost their way tho'... and a number of them actually did have skills, but it gradually stopped being about that around the mid/late-90s. It became all about what songs were on the tape and having the newest exclusives. So that's when blends stopped being emphasized, scratching and doubling stopped. It eventually got to a point where nikkas could just say their names and give shoutouts while playing songs back to back, cause that's all nikkas cared about. It wasn't about blends or skill level anymore, they just wanted to look at the tracklist and have to have the tape. When I was a kid that was just called 'making a tape'
but you weren't a 'DJ' just cause you could do that. You could do that with a tape deck. But by '98 or so, you could be the hottest DJ out by doing that. Crazy but true. I was the same way, cause I wasn't buying Clue tapes for no cuttin' and crabbin'... I just cared that he had that new Nas shyt or whatever... and I was a DJ myself, so I can see how it happened.
Last edited:
