Dig this, just because a song has a slow and mellow beat with a woman or male group singing on the hook like Juicy or Miss U, doesn’t make it an introspective record. Introspective records require a COMBINaTION of a sad melancholy beat PLUS deep soul searching lyrics. Sorry, but that shyt just doesn’t exist with Biggie. He had the beats but not the lyrics required for deep songs, and a vast majority of Biggie songs that people claim are deep were manufactured records that Diddy made him do anyway. Diddy picked the bet, got somebody to sing the hooks, then Biggie comes on and offers his standard mob boss rhymes. That’s how those songs work out, the mere process of the way those songs were even created negates its introspective nature. There’s nothing genuine about some guy picking beats and forcing some other dude to rap on them I.E. Juicy.
90% of Biggie music catalogue consist of songs bragging about hustling, robbing people, killing people, being the boss don of his crew, fukking bytches, and having money. He was stuck in a mafioso mind frame. Compare that to Ghost and Raekwon who made Mafioso records like Only Built 4 Cuban Linx, BUT STILL had the range to escape that niche. Biggie was still rhyming as a mob boss even on songs like Miss U and Sky’s The Limit. Jay-Z is routinely criticized for the same weaknesses but there really is no difference between him and Biggie in this regard. Let's not even compare Biggie to Ghost's creativity, versatility, or subject matter. Nas is a better challenge in this regard to Ghost than Biggie.