Jazz takes soul which they have none of![]()
Jazz, Rock, House....
Hip Hop's next up, don't sleep.![]()
White Americans didn't take over Rock n Roll in the same way White Englishmen did tho. My favorite old White Rock bands are almost all British. With some exceptions.
All those brit rockers were big fans of Delta Blues guys from the South.Copied their guitar licks and such. Thing is those guys took blues in a heavier direction..thus hard rock. Little Richard,Fats Domino,Chuck Berry were labeled Rock and Roll at one point.
I think most ppl when they think of Rock they think if the hard rock that came about in the 70s.Which alot of those bands were heavily influenced by blues but just took off in another direction.
White Americans getting interested in blues was a gift and a curse. Kinda funny and sad how it took white british dudes to accept the blues for the whites in America to start listening to it.
question did black parents hate rock n roll/rhythm and blues like white parents or nah?
With you til the end. Stanley wit Jaco, fretless or notThe primary face of Jazz stayed black for one reason and one reason only: Miles Davis, but even then the genre had become watered down in the 70's when the fusion style of jazz came in, and that was basically white guitarists wanting Jazz credibility without applying themselves as creatively as the purer jazz musicians
But the thing about Jazz that's different from any other genre, it's forerunners always gave credit where credit was do, whether black or white. Nobody ever hid behind a fanbase or took credit for anybody else's work....but a lot of that had to do with those old timers being willing to throw down during that era over that type of stuff
But you can't look at what happened to Jazz the same way as what happened to Rock N Roll. Jazz became an international force and had a level of comraderie and unity that no other genre was able to achieve. Besides, the best bass guitarist of all time was a white man (Jaco Pastorius)
White Americans getting interested in blues was a gift and a curse. Kinda funny and sad how it took white british dudes to accept the blues for the whites in America to start listening to it.
now a lot of cacs did jazz and some did take songs from blacks but how come they didn't completely take over the genre and phase out blacks like they did with rock music??
The primary face of Jazz stayed black for one reason and one reason only: Miles Davis, but even then the genre had become watered down in the 70's when the fusion style of jazz came in, and that was basically white guitarists wanting Jazz credibility without applying themselves as creatively as the purer jazz musicians
But the thing about Jazz that's different from any other genre, it's forerunners always gave credit where credit was do, whether black or white. Nobody ever hid behind a fanbase or took credit for anybody else's work....but a lot of that had to do with those old timers being willing to throw down during that era over that type of stuff
But you can't look at what happened to Jazz the same way as what happened to Rock N Roll. Jazz became an international force and had a level of comraderie and unity that no other genre was able to achieve. Besides, the best bass guitarist of all time was a white man (Jaco Pastorius)
they don't hijack shyt it's we that abandoned these genres and they adapt it. no way they could jack shyt when we're active in them.