I love how it goes around here insinuating that older people cannot listen to newer music.
Most of the new shyt sucks, plain and simple.
Most of the new shyt sucks, plain and simple.
Old folks can go to oldies rap and hip-hop stations that R&B, Rock, and Pop music uses.Half-baked chit like this is why there's no more "Soul Train" or "Showtime At The Apollo". Oh well.
Maybe you should start a petition to get all the old people off the air...
Nah man I still disagree.on one hand, I agree. We don't have that magnetic young personality out there who could take over and do his own thing on the radio. Part of it is because we fear change (obviously). The other part is that the NY media market is such a competitive one that other stations down South or wherever don't have the same pressure to maintain their ratings or their numbers or whatever.
Old people can't appreciate new music FROM YOUNG PEOPLE. Older folks love new stuff from more mature and age appropriate artists of course.I love how it goes around here insinuating that older people cannot listen to newer music.
Most of the new shyt sucks, plain and simple.
When Dame even said the shyt about Flex in the Combat Jack interview, I knew what I was saying was right.Hot 97 is basically a legacy brand. Angie, Flex, Cee, etc are all legends, they're the "sound" of the station. But they have little to no connection to anything that's going on now in NY music. Rosenberg has his ear to the streets but is too nerdy to be in charge. Juan is cool but doesn't seem to give a shyt about new shyt. Meanwhile Ebro has no interest in allowing NY acts to gain a spot on the radio unless they do what he wants.
They need young blood, I agree with the OP. You need people who understand where the trends are, what's hot, etc. What's hot might not even be good, but by giving it shine you allow others to shine. You don't need Ebro interviewing Migos, playing up his "old man" credentials as if anyone gives a flying fukk.
What they need is more club shows. Get your new DJs out there, play new music, have groups perform, etc. Let these rappers see what works and what doesn't work. And then they'll go to the studio and create shyt that works.
Old people can't appreciate new music FROM YOUNG PEOPLE.
Nah man I still disagree.
The ATL market is ON FIRE with talent. Theres basically like 2 and half (cause one station is like 50/50 rap) sometimes 3 rap stations in atlanta.
Not to mention that ATL exports so much content around the country, not just in rap but in jazz and R&B...its not hard to see that their formatting of radio definitely helps music discovery
nikka u dumb
Purists in the 90's were callin Pac and BIG garbage breh
nikka u dumb
Purists in the 90's were callin Pac and BIG garbage breh
The 2 "new" NYC rappers I listen to rapped over beats that sounded like NYC without sounding dusty and boom bappy. And the samples problem is irrelevant in this internet era- pretty much all music is "for promotion only". I mean who is the last NYC rapper to get a major record deal? Nicki Minaj? Your logic is sound but your reasoning is like 15 years out of date.It's too late. Us New Yorkers, LOVE those trap beats, those drill beats. That shyt is gym music, club music, party shyt. If that makes New Yorkers Souther dikkriders, so be it. Quite frankly, we gives no fukks about what region it's from. Same shyt now with those Mustard beats. You gotta find a producer who can hone an old school sound to make it sound hot, and the inherent issue with that is that it is based on a slow ass boom bap beat and (more importantly) samples that can't get cleared.
I had an older brother and I remember how he and his boys would downplay Biggie and called him wack and my big bro was a big Rakim StanI never heard that.
quality??
Iight les do it breh
vs
Compare Pac's verse to Drake's rap verse on the song
And tell me which one more lyrical
I guarantee u Drake sht more lyrical breh
Les talk about the 2 biggest new artists to come out collabing and making this tho
U gon tell me this aint quality
or this aint quality?
or this aint quality?
U prolly gonna say no about the last one to that I will say this song contains more lyrical elements than many NY hits in the 90s breh![]()
& two of the dopest artists from that era...??? I'll entertain you & break this down point by point. First off I'll put my issues with Drake aside for this even though he's half white & raised by his white mother, grew up in Canada, raised in the Jewish religion, & fakes a southern accent. He might as well be Iggy Azaelea but we'll leave that alone.
You're comparison of the Pac/Drake songs wasn't good. You should've chosen Hold Ya Head, Staring at the World Through My Rear View, or So Many Tears. Pac was never a lyrical emcee but it was his content & delivery that made him nice. As a lyricist I give Drake the edge but as far as delivery & content is Pac & it's not even close. Drake's voice is about as annoying as Em's. Pac overall is a better emcee than Drake because he's better in so many other areas. Not to mention in Worst behavior Drake basically took a chunk out of a 90's emcee's lyrics. Mase's verse from the Mo Money Mo Problems Biggie song. He's sampling from the the 90's huh...& two of the dopest artists from that era...???
And if you really read my post you would've realized I gave Kendrick Lamar his due because he's calling out his peers & drawing that line in the sand. He's one of the young & promising artists that I listen to & I hope he continues on the same track. Rick Ross is average bruh. He's stealing his image from BIG but doesn't have the charisma or lyrical skill BIG had & never will. That's no knock on him but he is what he is.
Drake & Kendrick Lamar need more friendly competition. Their collab was ok but I want more of that. I thought KL edged him in Poetic Justice.
The Wayne & Drake song more lyrical than many hits in the 90's? Come on fam! It's ok but not hot like that bruh be serious. These are crazy collabs:


