Point of all this is that Ruff Ryders came up off Bad Boy establishing The Lox and by extension helping X build a buzz that at the time, Ruff Ryders wasn't in a position to do.
by that same logic, you can say that bad boy benefited from being fed talent via ruff ryder management.
the warlox & murder ma$e were popular underground acts who were fielding offers from numerous other labels before signing to bad boy.
DMX as well. and X was on a ton of other songs aside from those two bad boy joints. LL's 4321 was the biggest.
DMX was already established as was The Lox. Eve is yhe only legit star that Swizz broke and even that one is a reach because he only helmed one of her albums and she got bigger with other producers.
Tim has a couple of noteworthy Hip Hop projects to his name to Swizz's one.
We Are The Streets was the beginning of Swizz running his sound into the ground. He got upstaged. "Recognize" and "Ryde or Die Chick" is what ultimately became what that album is remembered for. It also didn't help matters when Ruff Ryders went with a Timbaland produced record as the lead for the third RR comp.
youre doing a ton of dodging here.
1.) ever heard of Cassidy? Dra-gon?
and wheres timbaland's stars? I'm still waiting.
you mean Eve got more crossover with the other producers, which killed her draw.
2.) if timbaland has a couple noteworthy projects, THEN WHY CANT YOU NAME EM!!??
lol @ swizz only having one. that's bullchit.
3.) again, who are these people that thinks swizz got upstaged? backpackers & fakkits? neither one of them had any business listening to a lox album in the first place. poll some real niccas when you speak on these types of album.
I like Swizz, but it got to the point where Ruff Ryders benched Swizz in favor of Tim on RR3 when they dropped "They Ain't Ready". Crazy enough, he was their marquee producer, but Jada's solos, Eve's latter albums, and even X's latter albums featured less input from Swizz.
and how'd that work out for ruff ryders?
btw, every label "benches" their top producers after awhile.
1.nikka P.E. didn't put anything out worth talking about after 91'/before 98'.
4.
6.nikka he's a producer like dame a producer, he wasn't born or gifted "SUPER PRODUCER " he became one by making relevant music,consistently. And being the generator behind multiple acts that took off.
Dame didn't become that,cause his shyt ain't THAT good. Swizz did though

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7. I believe method did like 400k first week,sounds like a buzz to me.
If dmx was so hot without RR anthem,he'd sold more than 250k.
10.and thanks for reaffirming my point them nikkas wasn't nothing,that flag wasn't nothing until x blew up.
And made the pups comfortable revolting against shiny suit man,before that they were just shiny suit soldiers for puffy
youre just bullchittin and going in circles at this point. we're done here.
1, to the general public? '92 like I just said. and why am I arguing about this? old chit is old chit.
4. truth hurts.
6. AGAIN, who are these rap stars that timbaland generated?
I don't care which one youre saying is better. I'm just saying that its contradictory to criticize dame grease, and then big up another producer that wont consistently cover all grounds either.
7. I JUST EXPLAINED THE SCIENCE BEHIND METH'S SALES IN THE POST YOU QUOTED, AND YOURE STIL REPEATING THE SAME NONSENSE.
10. okay. you just want to think what you what to think on the fantasy tip.