Pusha T: "Big Daddy Kane is better than Rakim"

DaveyDave

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lol i focus on the actual the skillset of a lyricist like complex rhyme patterns metaphors wordplay punchlines hooks flow etc

content is the last thing for me i could give a fukk about what u actually talking about as long as it dope in terms of the rhyme scheme and the other aspects of writing rap lyrics.

:snoop:
 

Homeboy Runny-Ray

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First off go take yo goof lame ass!
to the ladies room with your gay homo-**** like fascinations of me.
Then take your unsung posting career and beg for a unsung special on h-town.

not to mention,...
You such a goodie.
Your limited rnb theme knowledge takes precedence over anytime you discuss some shyt.
As you do not even know what new or old school way of thought is.
When you listed LL.
Who is an old school way of thought artist, stoopid.
So stfu, cause you never know what the fukk you are talking about.
Go unbutton your gay chiffons rayon based ass shirt, and go sweat somewhere.
You goofie lame ass, boi!

also,...till you authenticate anyone and the history of their career.
You will not ever be able to talk about who had a better career.
As this is rap and is culturally based.
Of which luda and ja are not on ra's wavelength.
Nor, will they ever be spoken of careerwise.
In the same affinity as rakim, stoopid.
Anybody could have sold out like those two biter ripoff's like kids and ja did.
Which at the end of the day is why they no longer draw in the vein in which payola'd their way to.
Not to mention, when it is all said and done.
Nobody, with any cultural relevant sense.
will usher them historically into any conversation where rakim is being discussed.
Only you, stoopid enough.
To bring up two sales spike phoney artist, against rakim.
When real talk,....
Even in the sale spike era.
Rakim went platinum before both of them.
Even, if both bite some more to close out there career.
neither of them will have ever approached.
one rhyme pattern surrounding Saturn on the eighteenth letter.

So shut your little soiled toddler's potty training pot mouth up, b!

Art Barr

fascinations with you?:hmm: YOURE THE ONE FOLLOWING ME FROM THREAD-TO-THREAD. its not the other way around wierdo.:laugh:

of course i know LL isnt from the same school of thought as most of the others. no chit sherlock. but he was still elite during that time, which is why hes on everybody else's lists in here, but you take exception to mine? i forgot, you didnt even read the other lists, which is why you came in here out-the-loop and listing melle mel & grandmaster caz. now youre trying desperately to save face over a random internet debate. step ur life up b.

and i could care less about the rest of this poo-poo. jarule & ludacris had bigger careers than rakim. dont get mad at the messenger for pointing out the obvious. i didnt say that jarule, ludacris or even big daddy kane was a better artist or emcee than rakim. so fallback winslow.

the overall bottom line is that big daddy kane was a bigger star than rakim, which is something that youre conveniently dancing around. and i dont even care about this argument. i was just responding to someone who said rakim had a better career. and thats clearly false, if you compare career achievements and acknowledge the fact that kane was bigger on the career tip.

btw:
dino >>>> krs-one
h-town >>> BDP
:pacspit::pacspit:
 

mson

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lol i focus on the actual the skillset of a lyricist like complex rhyme patterns metaphors wordplay punchlines hooks flow etc

content is the last thing for me i could give a fukk about what u actually talking about as long as it dope in terms of the rhyme scheme and the other aspects of writing rap lyrics.

I should've said you should also focus on what is being said and how it's being said which also includes metaphors and punchlines. For example you posted let the rhythm lyrics and highlighted rhymes but are you listening to what he's saying?


Felt like a rifle
Massage 'n' melodies
Might go right through
Simultaneously like an Uzi
Nothin' can bruise me
Lyrics let up when lady say don't lose me
So re-load quickly
And you better hit me
While I'm lettin' this fifi get wit me
You steppin' with .007
Better make it snappy
No time to do your hair, baby
Brothers are bustin' at me

Beats and bullets pass me
None on target
They want the R hit
But wtch the god get


Ra said lyrics let up when lady say don't lose me . :ahh:
 
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Momentum

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I love the fact that Pusha can have real hip hop conversations. Most "rappers" dont go past Big and Pac. You tell them about Chuck D, Young LL Cool J, KRS, Kane and they just give you the :ohhh:
 

Homeboy Runny-Ray

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I love the fact that Pusha can have real hip hop conversations. Most "rappers" dont go past Big and Pac. You tell them about Chuck D, Young LL Cool J, KRS, Kane and they just give you the :ohhh:

the sad thing is that alot of these rappers do know better(maybe not the newer ones) but theyre too busy following protocol and/or pandering to a potential young audience.

and thats why this new gen is lost in the sauce, money. because of the previous '00s generation of star rappers not reppin right.
 

Cynic

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*NSFW*

kane+madonna.jpg


Kane slanging that Cane in some Jane (Madonna)
movies_morgan_freeman_serious_20120326_113248777.png
 

threattonature

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Kane was that nikka. He killed his own momentum with all that sex symbol shyt and took it way too far. BUt at his apex I always preferred Kane to Rakim. Kane to me was the predecessor of Jay similar to the way Rakim is the predecessor to Nas. Kane could appeal to a much wider base getting underground and mainstream love.
 

Homeboy Runny-Ray

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Kane was that nikka. He killed his own momentum with all that sex symbol shyt and took it way too far. BUt at his apex I always preferred Kane to Rakim. Kane to me was the predecessor of Jay similar to the way Rakim is the predecessor to Nas. Kane could appeal to a much wider base getting underground and mainstream love.

yea, thats what im saying.
 
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