Bum stiggedty bum stiggedtythe rapping like a cartoon character spitting humpty dumpty bars
BARS

Bum stiggedty bum stiggedtythe rapping like a cartoon character spitting humpty dumpty bars

The true originals get their props, but as much as nikkas trendhop now, it was crazy back then if you follow the history.
Wu tang comes out in 93 and all of a sudden in '94 Pete & CL come out with "i get physical", LL on records talmbout "flava like praline" sayin all kinda weird shyt like he u god or ghostface or some shyt. The Pete/Cl shyt seems like label forced em
Pac dies now every nikka got a bandanna on tied to the front on some dikkridin shyt
it's more but i'm tired of typing lmao
Too many wack nikkas hid behind the "i'm from NY", "original sound" bullshyt when they really had no creativity and/or nothing worthwhile to say


Master P not geeting his propz for what he did in the 90's
Jay-z stans tryin to act like Jay's career started blazing hot in 96

Great post. But i disagree somewhat. When people were copying Onyx or Das, it didn't feel like (to me at least) that they were doing it to sell records, but rather cause it was dope shyt and they wanted their shyt to be dope. With biting bad boy - it was transparent as glass that it was a cash grab.The thing I didn't like was how separate and unoriginal everything became.
Hip Hop was just Hip Hop before. Diverse. Then around like '93, a lot of artists started trying to fit into boxes. Before that, you'd be a PE, Heavy D, Ice Cube, De La Soul, Rakim, Kool G Rap and Digital Underground fan and see them all get love and respect equally. And different kinds of artists would work together too. There was no "sound". People had their own crews, but there was more unity as a whole. It wasn't weird to see a G Rap album pretty much entirely produced by a West Coast producer. Or vice versa, like with Cube. If you had good shyt you'd be embraced.
Then things changed, and it started becoming more about who did your album, or who co-signed you. Onyx blew up, and then you saw mad Onyx clones. Even established artists started trying to make tracks like them. If something worked for one artist, you'd see a bunch of other artists changing to jump on whatever that was. Biting used to be the worst thing you could do, but it became accepted because everyone just wanted to succeed. When Bad Boy got hot, artists started thinking they needed to copy that to be heard. And then after awhile, everything started sounding the same. The underground artists started getting pushed aside because they weren't conforming. No matter how dope they were. So major labels stopped signing them. You wouldn't see a group like The Artifacts or Souls of Mischief being pushed by a major anymore. They got scared to put money behind artists that didn't sound like whatever was working at the time. But back in the day, groups like X-Clan, EPMD and PE would get the same push and airtime with videos, as a popular artist.
We just lost a lot of originality in the 90's. A lot of people became followers. Instead of making what felt right, everyone started making what they thought would be a hit. You'd feel like you found gold, if you found an artist that was original and doing their own thing. And that wasn't always an issue before. It's something that still kinda makes the culture wack today.
How about with a neg.Where do I start

South got plenty of recognition.South didn' t get enough recognition
From Outkast's phenomenal classics to Face/Geto Boys originality and grittiness to No Limit's/Cash Money's hunger and hustle plus being real gangsters (unlike tons of ducktales east coast guys)...they had it was harder than many east/west coast rappers

Great post. But i disagree somewhat. When people were copying Onyx or Das, it didn't feel like (to me at least) that they were doing it to sell records, but rather cause it was dope shyt and they wanted their shyt to be dope. With biting bad boy - it was transparent as glass that it was a cash grab.
And things were more separate in the 90s. For the better. Regional sounds developed. Collaborations were rare. Running out and getting every hot producer on your record was the exception, not the rule. After Life After Death, everyone tried to make an album with a little something for everyone. It never worked.
His whole career was ruined by that flood.Inspectah Deck's album ruined by a flood![]()

South got plenty of recognition.![]()
at him. yeah everyone was blunted in the 90's
but hip hop seems druggier now
...except now its not just weed they're high on![]()

Yeah - I was responding to his point about recognition.Outside of a few acts, it was harder for the south to be put on. I remember when people used to shyt on David Banner because he from Alabama and even when he spat ill freestyles, peopleat him.
Hip hop was regional back then, just that outside of NY, LA, and Chicago, you weren't shyt. Even worse back then, if you didn't come from a super crime ridden hood, people automatically thought you were soft and "white" washed. Especially after Onyx and Wu blew up.
Sex skits. Sex skits. Sex skits. Did I mention sex skits?
other coasts always complaining about regional bias blah blah blah. But let's keep it 1 fukking hundred. Were other coasts dropping albums as brilliant as Illmatic, Ready To Die, Cuban Linx, Infamous, Liquid Swords, Dah Shinin, Main Ingredient back to back?
