I really want to read this record review of yours and artist critique of Eminem.
that you can write on the fly right now, without googling and just bringing up the albums and links from your own actual collection.
nas, and jay both had their largest drawing parts of their careers.
in the same era that Eminem was releasing twelves and underground albums in.
an underground...that both jay and nas got to surpass, just because of locale.
yet, and still Eminem a white cat..
from an era where the draw was killed't dead for.
as it pertains to white people rapping.
where, Eminem actually dug up the corpse of that burned the corpse and disposed of it, completely.
then, created his own to draw from....
by real actual cultural skilled submission, in one of the greatest exhbitions of show and prove, in the history of rap.
something jay and nas got gifted, to them....
from other artist who already were a draw, and did the actual leg work for.
Eminem had to do it all by himself.
from a region, that did not know who esham was, in their own town.
plus, had not seen a mainstream relevant group make noise since the Dayton family and Detroit's most wanted.
first off,...jay is a failed sellout emcee, from as far back as double time twelves with jaz, back in 87.
a style that Eminem also, excelled at on his classic twelve, to biter phobia.
so, argueably Eminem, nas and jay all had classic on their first actual appearances, on wax.
in 87,....let that sink in a minute.
this was when the culture was a pure as it could have possibly been.
it took a decade later, and numerous style relaunches when jay dropped.
Eminem just like jay was biting nas, on illmatic.
where, people in this thread say they like infinite as his best work.
on top of the first song on infinite being as good as any from the year of 1996, when it dropped.
in 97, Eminem had the best actual ground breaking release on ssep, a classic.
in 96, nas had iww, and sold out.
in 96, jay had rd,..
in 96, Eminem had infinite.
all three releases, people
try to revise history and give them erroneous classic labels..
just to put in proper perspective how wrong you are.
in 97, jay was floating between quality limbo with records like girls like and sunshine, on volume one.
which is not a classic.
in 97-99, Eminem made the definitive mainstream gateway submission for radio freestyles on the wake up.
in 97, Eminem was beaten by the best battle emcee of all time.
in 2001, jay was beaten by his best contemporary
except, between 97-2001, Eminem actually cared for the culture.
jay just sold it out and played the sellout that latches on to others while sitting on the fence culturally.
so, he was not readily exposed in that drawing era.
to 2001, getting served and making his last actual high quality release on the sean carter euro saves face mixtape.
after that,...all three artist have the same hit or miss, style of pr for their discographies.
of which,..Eminem only has one universally bad regarded release in the songs for fack, on encore.
a bside release album meant to capture the last remnants of his draw from a fukk'N MOVIE...
that also, had a highly rated soundtrack and features one of the best records in the history of rap in lose ya self.
that actually lyrically depicts the imagery of Eminem in origin and coincides with the movie, brilliantly.
the same type of shyt, jay did for streets is watching, and his other movie soundtracks.
that are also hit or miss,......
nas's discography in between this time period is some of the lowest quality work for an emcee of his caliber.
till, stillmatic's ether saved his career.
in that time period,....
Eminem also released high quality mixtapes and album releases.
that fleshed out his horror core roots, and elongated his series of commercial viable radio records.
that are all high quality releases and erroneously given poor marks.
by people who are not in the know about the actual genre Eminem records.
yet, try to categorize and rate his work out of that realm erroneously.
art barr
