@CHICAGO I respect you being the thread poster, but hear me out on this.
To me if you're a biter on flows, you would be biting every way your predecessors did those.
Delivery is a lot more obvious, just pay attention to someone's speech, dialect, timbre, dynamics etc. in their vocals.
In that case, Migos does delivery different from Lord, they have distinctive "ticks" they do that he doesn't and vice versa.
Musically on rhythm, of course they're gonna share similarities,
but there are tracks where Migos experimented with other variations not derived from him.
Migos picked the style up, dusted it off and made it popular again...while putting their own unique & orginal spin on the style
It took them awhile from "Versace" to progress into this years later. I was always curious to check out whether they would vary that flow to the point where eventually they did something individual. They were smart enough to know, there was gonna be a time where they got bored with that and needed to change it up.
Takeoff easily and always has the best cadences out of the 3, Offset however to me is better at pockets, Quavo is more like Future and structures his after the hooks he makes.
Also, Coli somehow forgets that Lord had mastered "Slow flow" styles too,
not just the double-timed, fast shyt.
They accidentally make it seem like he was one-dimensional, by being infamously known for the main flow he came up with.
So to make Migos "guilty by association" with only ONE style Infamous himself created,
they made the fallacy of ignoring he was capable of multiple flows.
If the whole damn South bit his flow, why hold Migos solely accountable if they proved at some points they could do it their own way?