It doesn't make it any less Pop though. "In Da Club" is a smash, 50 was out here doing melodies and adopting sing songy type flows no different than Nelly. Not to mention, he had kind of a slurred flow similar to Mase (who again was kind of in the Nelly lane). And speaking of Mase, he had that Southern kind of tone to his raps, but he wasn't dismissed for it because he was from NY.
GRODT is a street album.
Country Grammar is not a street album, lol.
DMX had mad #1 albums in a row. That doesn't make them pop albums. I'm not talking about hits. I'm talking about the actual content on the albums. Something becoming a hit is very different from comparing pop-rap and Hip Hop records that
become hits.
Nobody cared about 50 being from NY. He was always from NY, and he couldn't get his label to release his album when Hip Hop was at its most bankable, and he had one of the biggest records in the city in '99. When NY was hot and Canibus, X, Jay, Big Pun, Nore, Nas, and mad other artists were going gold 15 mins after they dropped, 50 couldn't even get his album released, and dude had a huge radio record. Being from NY isn't going to do anything for you anymore. People need to let that go. 50 was doing the southern thing with his tones back in the 90's. It's always been a part of what he did. He always said he learned that from JMJ. He told him to incorporate things from other sources that influenced him. Mase and 50 had hits. Period. That's why they were winning at the time. These dudes had some the biggest records during their runs.