Essential The Official Coli Horror Film Thread: Discussion, Recommendations And Murder.

Lootpack

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The hiatus from 5 to now really benefitted the franchise. Bloodlines is legit good, but Final Destination also had a whole decade+ of re-evaluations, especially during the pandemic of being some of the best guilty pleasure flicks and begging the ultimate question — “when we getting another one?”
 

storyteller

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The scores for the early movies are ridiculous. A bias against horror from critics still exists but it was even worse back then. They damn near shyt on anything in the genre.
It's funny, I know a lot of horror-heads who hate the term Elevated Horror, but I think it made it easier for critics to stop being so damned biased against horror. People finally started separating out the horror that's made for pure fun, like a popcorn action movie, and the horror that's made with a deeper story or message, like a good drama.

The crazy thing is, I'm too young to know, but it feels like there was some love for "elevated horror" in the 90's before the term existed. Kathy Bates got an Oscar for Misery and Silence of the Lambs was all over the Academy nominations. I wonder why that lost steam.
 

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Trying to see bring her back this weekend

The crazy thing is, I'm too young to know, but it feels like there was some love for "elevated horror" in the 90's before the term existed. Kathy Bates got an Oscar for Misery and Silence of the Lambs was all over the Academy nominations. I wonder why that lost steam.


I think it was easier for those two movies to get nominations because they were more thrillers than hard horror.
 
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It's funny, I know a lot of horror-heads who hate the term Elevated Horror, but I think it made it easier for critics to stop being so damned biased against horror. People finally started separating out the horror that's made for pure fun, like a popcorn action movie, and the horror that's made with a deeper story or message, like a good drama.

The crazy thing is, I'm too young to know, but it feels like there was some love for "elevated horror" in the 90's before the term existed. Kathy Bates got an Oscar for Misery and Silence of the Lambs was all over the Academy nominations. I wonder why that lost steam.

I was too young for those also but I think I remember there being debates about whether it was "horror" or a "thriller". I feel like some people used to try to place horror in a box like it's all slashers, demons, vampires, etc... and obviously that's never been the case.
 

storyteller

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I haven't been a fan of Blumhouse recently. But this is pretty cool, considering Wan involvement in the original. I think it would be cool as hell if he and Leigh Wannell teamed up one more time for a sequel. I'd say "to revive the franchise" but honestly, I felt like the last one did that already.
 

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I haven't been a fan of Blumhouse recently. But this is pretty cool, considering Wan involvement in the original. I think it would be cool as hell if he and Leigh Wannell teamed up one more time for a sequel. I'd say "to revive the franchise" but honestly, I felt like the last one did that already.
Something poetic seeing this come full circle with James gaining ownership stake and has me feeling better seeing what him and possibly Leigh do creatively with the inevitable reboot.

Feel the same with Blumhouse but I’ll give them credit with the way they’ve rebounded their library since Halloween Ends/Exorcist: Believer. They don’t have Chucky, but they got a M3GAN. Elm Street rights are a clusterfukk? No problem, they got The Grabber playing mind games of his own in the meantime. FNAF…I’m not a fan, but it’s a draw. Good on ‘em.

Got the budgets under control, too. My only concern is over-reliance on these IPs vice putting out banger original stories like they used to.
 

storyteller

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I said that as if M3GAN and Black Phone weren't recent hit original stories, lol. Yeah, I'm trippin'. Blumhouse will be fine in the long run.
I get what you mean about it, though. They've got those originals to build on, but the majority of their most memorable recent titles are deep into their sequels.

Ironically, it's a flawed one-off movie that made me the most excited to see the direction Blumhouse will take. Woman in the Yard got a bit sloppy storytelling-wise, but it went to a darker place than I feel like Blumhouse has been willing to go recently. It felt really unique, and gave me that "they gave an original idea a shot" vibe that felt lacking.
 
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